[When the Moon Was Ours] Anna-Marie McLemore

28220826

I love that this looks like a screen print.

When the Moon Was Ours is a beautiful book that read like a fairy tale but had a firm place in today’s world. It follows Miel and Sam, two friends who met when she fell out of the town’s decaying water tower. They have only grown closer as they grow older and navigate their lives. A boy who paints moons and a girl who has roses growing out of her wrist, the two are viewed as strange by the townspeople but are largely left alone. When the Moon Was Ours is partially a love story between friends and family, a fairy tale, and a coming of age tale.

What I particularly loved about When the Moon Was Ours was that while McLemore was very upfront about what this book was trying to do, it wasn’t forcing it down the readers’ throats. I’ve read books that go this route and it ends up giving the book a poor taste and ultimately doesn’t succeed. McLemore succeeded in my opinion. Yes, there is a character who doesn’t identify as what they were born as, but the novel was deeper than that.  It was a very caring look into who they were as people, as a whole, rather than purely focusing on one part of who they are. McLemore is teaching through sharing moments of her personal life, and I could really see that as I was reading. It was extremely intimate. The novel takes its time revealing how this has affected the characters and how they are trying to figure out who they are. It is part of the story rather than the whole of the story, which I thought was a very important and natural way of telling it.

I thought that all of the characters were very dynamic and very carefully crafted. The characters who were good had their moments of bad, and the characters opposite of them weren’t all bad. Everyone, no matter where they fell on that line, had reasons for their actions. And often the cause of their actions were because of a fear that they had: fear of discovery, fear of not being enough, fear of being ignored…that made the characters all the more real to me. I really connected with the characters, even the ones who functioned as the “villains” in this fairy tale. I may not have felt as much for them as I felt for Miel and Sam, but it was really easy to see why they acted the way they did. I had sympathy and pity for them.

The character growth in this novel was amazing. There’s the concept of the good and the bad in this novel, and they all grow. I feel like that doesn’t often happen. The bad characters weren’t forgotten. They also traveled to the other side with our two main protagonists and all of them were able to come to an understanding both of their own self and of that of the others. I wasn’t left wondering why the “villains” were like that and what happened to them after the story was over. Everyone had a conclusion.

Magical realism wasn’t a genre I’ve read until recently and to be quite honest there were some moments in the beginning where I wasn’t sure if this book was going to work for me. While I loved the opening pages, there was also a bit of disconnect when the language was too flowery, which muddied up what McLemore was trying to say. As I kept reading I reached an understanding with the language and was able to enjoy the story and the language. It really made the story more fairy tale-like and enjoyable.

I’m not sure what more to say about this novel because I feel that other reviewers have been able to praise it better than I ever could. I also don’t want to say anything that could potentially spoil the experience because I want every reader to enjoy this the way that I did. When the Moon Was Ours was a beautiful novel and one of my favorite reads of 2016. I wasn’t sure if I would like it at first because I had heard that the writing was hard to get through, but I read this in a short amount of time. The characterization and setting was amazing. I highly recommend it for its caring portrayal of those who don’t identify as their outside appearance. The opening lines and the closing author’s note were extremely touching. This book deserves your time and your attention.

To the boys you get called girls, 
the girls who get called boys,
and those who live outside these words.
To those called names, 
and those searching for names of their own.
To those who live on the edges, 
and in the spaces in between. 
i wish for you every light in the sky. 

4 stars.

[Empire of Storms: Throne of Glass V] Sarah J. Maas

Slight spoilers for the previous four books are below.

28260587

Empire of Storms finally brings together everything that began in Heir of Fire and Queen of Shadows. This penultimate novel in the Throne of Glass series showcases Aelin’s power–political, physical, and magical–in a way that really presents her as a Queen for the people. However, not everyone is as in love with Aelin and her fire as her Court is. Many fear what her power could mean for them, should she decide that she doesn’t like what they’re doing. As always, people who have power fear to lose it. Aelin has to prove that she won’t use her power to force people’s hands like she did in Wendlyn. She has to prove that she’s a Queen.

I really enjoyed reading this book. Some of the events were a little more boring than others, but ultimately every moment, no matter how seemingly insignificant, matter. There’s a lot of perspectives in this novel and they’re all intertwined in a cohesive, entertaining, and emotional way. The book focuses on dealing with the aftermath of what happened in Rifthold when Dorian and Aelin end the King of Adarlan’s reign and the seal on magic.

In the previous novels, characters had been introduced but we didn’t get a lot of time with them because of the focus on Aelin’s quest. This time, more of the pages were given to those side characters, and I think it worked really well. I enjoyed reading how characters functioned and acted when the group separated and Aelin was off doing something else. Rowan and Dorian, Lysandra, Elide, Manon, Aedion…and even characters that we’d previously been told were not necessarily allies got pages. While I liked them in the previous novels, Empire of Storms made me fall in love with them completely.

Manon’s storyline escalated in a way that had me cheering for her. It was absolutely wonderful. Character arc-wise, hers is so in depth and filled with emotion. There’s been few characters I’ve read who go through as much change and internal conflict as she does and comes to terms with it. I loved that she went from a character who believed in emotionless discipline to someone who realized that caring for another creature, witch, or human was not a weakness. She’s part of the group of strong females that Maas has written, and I appreciate it so much. It’s never about the men saving them. Manon takes control of her own life and doesn’t allow anyone to tell her otherwise.

Similarly, Lysandra moves from this former courtesan to an impressive force that uses her shifting power in ways that surprises everyone. She’d been treated as a commodity for nearly as long as Aelin was an assassin and now that she has freedom she uses her abilities to get as many different tastes of freedom. I wish there had been more in her point of view. Reading how she dealt with her past as she forged her future would have added a lot to her sections.

This time around, though, my favorite side character was Elide. Her entire life she’s been controlled. While she did escape in the last book, I felt like her true potential wasn’t realized. It is in Empire of Storms. She uses what she’s learned by watching the strong women in her life, namely Manon and Asterin, and manipulates situations to protect herself as well as turn them in her favor. She’s consumed by a desire to return to Aelin, yet she also is so terrified that Aelin won’t accept her. She’s similar to Aedion in that aspect; both had things done to them and did things that they’re ashamed of and so are afraid to return to Aelin. They want to return so badly but fear that she will turn from them. What they don’t know is that Aelin also has those fears, but they’re reversed. I loved reading how Elide came to terms with that as well as her journey into strength. Ultimately, I felt that Elide’s story matched Manon’s in emotion. It was hard to read the moments where she was desperate to survive and the moments where her heart hurt.

A driving force of these novels and also why I read them are characters like these. I’ve only really talked about the women so far because I feel like they have more to come up against, but the male characters were equally well-written. I can really appreciate when an author makes all of their characters, even the side-ones, important to the story and interesting to read. Back when Manon was introduced in Heir of Fire, I kind of felt like her story didn’t really have a point. To have her progress to a point where she’s vital to the story is amazing. And that’s what happens with all of the characters. They’re first introduced in small doses, planets rotating around Aelin’s star. But in this book, the focus turns to them and I was able to realize just how much they’re all meant to complement each other.

They’re all characters that have been told one thing for half or most of their life, characters who are beaten down to the point where you don’t expect that they’ll be able to change and come out of it. That’s what is so beautiful about Empire of Storms. Readers already know Aelin. By focusing on the others, readers are able to truly see how they all have come from these dark places but they don’t allow that darkness to control them. Their similar experiences allow them to heal one another.

When characters are around each other for long periods of time, I get why the romances happen. But I felt like there was a bit too much of this book dedicated to the creation or consummation of these romances. I understand that romance is a huge draw, but I also felt like I wanted to know more details about the travelling and growth of Aelin’s Court and people rather than the amount of times they thought about each other’s body parts. I get it. I just don’t need to be reminded of it constantly. Love flourishes even in the worst of conditions, but I felt that the characters lost their focus a bit on the main conflict of their world and that of the novel.

While I’m happy with the pairings that Maas set up, I also felt like it was too tidy. Everyone is paired or has the potential for a pairing. As a result, there are some that I prefer over others, and the rest exist purely so there can be some romance when the chapters switch to their point of view. Some of the characters lost a little bit of their importance because they were so focused on the object of their affection. That said, it’s only a minor squabble I have with Empire of Storms. Not everyone needs to be paired and it’s not realistic that everyone is paired in my opinion.

I found Empire of Storms to be the second most emotional book of the series for me. There were so many events happening, some of them behind the scenes, that when they played out or revealed had a big emotional punch.  All the pieces came together–all of the things that Aelin had kept from her Court and the reader fell into place. It shocked me at how well Maas had taken all of those separate storylines and knitted them together into one to the point where I wasn’t expecting things to happen. This certainly is the definition of a penultimate book: villains showed their faces, enemies turned into begrudging allies, people were protected, and romances were realized. Like all of Maas’ Throne of Glass novels, Empire of Storms had a cliff-hanger ending that promises lots of conflict in the next novel. I’m very excited to see how this series concludes, yet I’m also afraid to read it because I know that there’s no way everything will be happily ever after. But I can hope for it.

Sitting pretty comfortably at 4.5 stars exactly. I liked the plot a lot, but it did get bogged down by the focus on the romances.

 

[Queen of Shadows: Throne of Glass IV] Sarah J. Maas

As always, slight spoilers for the previous novels.

18006496

Coming fresh from reading Heir of FireQueen of Shadows lacked a little bit of the punch that the other did. Perhaps it was because she was back in Adarlan where I was already familiar with the villain, but I felt that this book dealt with a lot of the logistics of setting up the next book in the series and dealing with the aftermath of what happened in Heir of Fire instead of really doing anything new.  For me, Celaena’s journey back to Adarlan and the duties she had to address there were a little boring after the excitement of her training and coming into her identity as Aelin, as well as the excitement and horror at the capture of Aedion, Dorian, and Chaol. In Queen of Shadows, not only does Aelin have to address her past, but she also has to address the future of her kingdom as well as the continuation of the one she’s known for half her life. And unfortunately, a lot of that was planning and plotting.

In the last book, Celaena’s character growth was something that I truly enjoyed reading and that growth is not quite done. Yes, she came into her power and name, but there are moments in Queen of Shadows where Aelin can’t quite shake her identity as Celaena. She’s been Celaena for half her life to survive, so getting rid of that persona completely is likely impossible. There are skills and allies she made while she was an assassin and she finds that it is necessary to masquerade as Celaena for a few moments longer.

This time, however, I liked reading how that caused conflict within her, as well as shock for the characters around her. The characters who only knew her as Aelin sometimes struggle with her actions as Celaena, while the characters who knew her as Celaena struggle with seeing her as anything else and don’t always trust her actions as Aelin. That leads to conflict between all the characters involved, which was a source of a lot of the tension in the book.

This book really focused on the internal tension. As always, there’s the outside tension that comes from their enemies and their movements, but this one really focused on the tensions between characters and their allies. They didn’t always trust each other even if they all were working toward a greater goal. Aelin no longer can rely on the magic that she’d nurtured because she’s back in a land where it was cutoff. She can’t rely on the fear tactic of showing her power, although she does still have the fear tactics of an assassin. Instead, she has to rely on her words and her diplomatic skills. It was a nice change because she had to come into her other power: that of a Queen. As Queen, she can’t just force her potential allies to their knees. She has to address their concerns as well as her own, and come to a decision, which could often be a compromise.

This was shown through her interactions with Chaol. When she left and he discovered that she was Aelin through the hints she gave him, he really struggled with coming to terms with that information. The girl he thought he knew was someone completely different. He wanted to ignore that she was an assassin, but he couldn’t ignore that she is the lost Queen. He also has to deal with the heartbreak that he still feels about losing her and being unable to love all of the different parts of her character. Aelin, likewise, hasn’t quite dealt with how their relationship ended. They both have anger in them, and that makes it nearly impossible for them to compromise. Until they’re able to forgive the things that have happened between them–and the decisions that they both make to protect what they love but doesn’t necessarily protect what the other loves–they don’t work well together.

Chaol wants to protect his kingdom, and Aelin wants to protect hers. I thought that Maas did a wonderful job at showing the pressures of being the sole heir of a kingdom but she also wants to be a girl, a friend, and a person. But so much of Aelin’s identity now is the fact that she’s that heir, and it definitely gets to Aelin. She has to step into her role as a Queen and the leader of her Court, and sometimes she doesn’t quite fit. Her journey to fit into that mold yet still remain true to her friends, her Court, and herself was plotted out really well. It wasn’t instantaneous and she had to balance all those parts of herself.

In the last book, Manon Blackbeak was introduced as an Ironteeth witch, a type of creature that had previously been shown as a villainous one. She’s in charge of the Thirteen, who are thirteen Ironteeth witches that are basically the best at what they do, and what they do varies. In Heir of Fire, her storyline wrapped up with the Ironteeth witch storyline was interesting but I wasn’t sure why it had been included. It seemed like it was just there to divide the narrative and to show more of the world without any real function.

There’s more of a focus on that story in this novel and I ended up really liking her character. Her character arc was really well done, and reading her part was a welcome change from the kind of boring set-ups that were occurring in the Aelin, Chaol, and Adarlan storylines. She’s built up as a character who has these strict rules that she follows, but more and more she’s put into situations where she questions her upbringing as an Ironteeth witch. She questions if everything she’s known her whole life is as black and white as it seems. I honestly think that she’s my favorite character in Queen of Shadows because of that internal conflict. It’s the reason why I liked Celaena in the last novel so much; I love the internal conflict as characters come up against things they’ve avoided for a chunk of their lives. I’m really excited to see what happens with her and her Thirteen and if Manon will change.

While I did really enjoy this story, particularly the Manon/Thirteen storyline, I did feel like it lacked some of that page turning excitement that the other had. I felt that Queen of Shadows ended kind of abruptly, with several conflicts and storylines wrapping up a little too neatly for my tastes, even though there were consequences that will linger in the next book. While some parts of the book are definitely worth a 5 star rating, I didn’t have as many feelings of pure enjoyment that the previous novel gave me.

4 stars.

[Crown of Midnight: Throne of Glass II] Sarah J. Maas

Just in case there are people who haven’t read Throne of Glass reading this review (I was one of you not long ago), this review has potential spoilers for Throne of Glass. There’s also a very, very light (and not specific) spoiler for Crown of Midnight, but since it’s already been mentioned in the official summary of the book, I think it’s okay to mention it in my review. Just a warning!

17167166

I really hate when the summary of the book gives away too much the way it does for Crown of Midnight. There are some things I wish had been kept from the reader because I wouldn’t have been aware of it coming up and the impact would have been greater. Anyway. Review time.

Crown of Midnight is the second novel in the Throne of Glass series. Now the King’s Champion and assassin, Celaena is counting down the days to her true freedom–when she can leave Adarlan and disappear into the forests and mountains far away. So for now she bides her time, killing at the King’s whim and trying not to lose herself in the process. Celaena, however, has a secret–one that she hides from the King and hides from her friends. And when there are secrets, it’s only a matter of time before they come out. And she’s not the only one keeping them.

I was actually really impressed with how there was a sharp increase in talent in the writing of this one compared to Throne of Glass. Had that not happened, I would not have continued the series. So really good job, Sarah J. Maas, at getting someone who didn’t like your first book into liking and wanting to continue the rest of your series due to the second. The style became less telling and I was more invested in the characters as things were revealed about them slowly. It helped too, that the focus wasn’t on a competition (but the true focus was actually on the shoddy love triangle and obsessive vanity of Celaena) the way it was in Throne of Glass. The writing style was so much better, which translated to the plot, pacing, characterization, and setting being well-thought out and engaging. I almost couldn’t believe that this was the same series, it was such a change. A good change.

I loved how the friendship between Nehemia and Celaena grew and changed in this book. Sometimes they didn’t get along, which only made me enjoy their friendship more because it was something that was realistic. Everything wasn’t rosy and sometimes they couldn’t take back the things they said, only heal over them. The relationships between Celaena, Dorian, and Chaol changed as well. At times there were tensions between the three of them, which made for some interesting interactions. As is the point of love triangles, I favored one pairing over the other. I also feel like the writing was pointedly directing us toward this pairing, which made me feel like the other pairing was kind of a waste of time and pages. Fortunately, it wasn’t that big of a problem for me. Even though there was romance and a light love triangle, I felt that the focus still remained on Celaena and her story rather than the romantic relationship between the characters. I was glad the focus was not on that. Romantic or not, I really appreciated the way that the relationships where written in this book.

As I mentioned before, the book kind of shot itself in the foot when the summary basically destroyed any chance it had at a shocking moment. There was tension, yes, but once I realized who was safe it was obvious who was not. Any impact it had was kind of lost because I felt very bored while reading about Celaena’s flight to stop it. Getting away from that, there are other secrets in this book that are not ruined beforehand. Granted, they had been heavily hinted at earlier, both in this book and in Throne of Glass, so I already had my expectations. I did like how it was revealed and how it sets up the rest of the series, especially when Celaena’s personal life was left hanging at the end of Crown of Midnight.

It’s not often that I continue onto a second book after not liking the first one, but I am glad that I listened to the advice of other readers about this being a series worth continuing. Of course, I still have an issue with the fact that I have to finish two books in order to see what the series is really about, because this should be given to readers in the first book. This is probably the last time I’ll bring that up, but I think it is a true issue and deterrent to this series that other readers have. If you are willing to make it through that first book, however, the series becomes something that I’m really excited to continue reading.

4 stars.

I received this book from Tessa for a Book of the Month club.

[Dreamwielder] Garrett Calcaterra

Dreaming is magic in this one, and magic is forbidden. It seems like it will be an exciting mix of magic v. mechanical, so I'm pretty interested in getting into this one. We'll see if this first book makes me want to continue with the series.

Dreamwielder started in the middle of the action, set in a world that had already been conquered and one where magic is outlawed. I love that that it started in the middle, because we’re thrown into a world that is dealing with the aftermath of this–dealing with the aftermath of wars, usurpations, and failed rebellions–but that is not the entire focus of the novel. We meet Makarria, a girl who has strange power in her dreams, as one of the people trying to eke out a life with her family. Far from the Emperor’s realm, Makarria believes that life is only about the small farmstead by the sea. Forbidden to dream by her parents, Makarria does her best to obey. When her dreams create something that put her on the Emperor’s map, she flees and begins to understand that her life is not as simple as she had thought. With a well-written cast of characters, Dreamwielder surpassed my expectations of what sort of fantasy novel this was.

I was really impressed with the characters in this. Divided between several characters of different backgrounds, Garrett Calcaterra blended each of their stories and lives into a cohesive narrative that I loved. It was a little slow at first because of the world-building, but as the world and characters built, I eventually couldn’t wait to see what Calcaterra came up with next. The cast was diverse in age, so that meant that their experiences were all different. I wasn’t treated to a book with characters that were so similar they may as well have been one. One of them was a prince who was a hostage–my particular favorite because he had no magic in this world of magic. I liked reading how he coped with having a sister who had visions and dealt with being a protector who had no powers other than his own fighting talent. On the opposite side of that was Makarria, a girl who had lost her family and was slowly discovering just what her talents could do. All of the characters were strong, and I appreciated that the female characters didn’t wait around to be rescued. I liked that they surprised the male characters with their actions.

I also enjoyed that there were secrets surrounding the characters and they were often unaware of these secrets themselves. I like when the author treats the reader to a little more information than what the characters know, because it’s fun to read how they’re revealed to the characters. Reading as their paths got closer together made for some exciting reading.

Although Dreamwielder has the potential to be entirely full of clichés, it’s well-written enough that you hardly notice there are even clichés. Dreamwielder begins with an idea of a series of kingdoms under siege and in a hostage situation. A ruler has come in and conquered these kingdoms but allows them to still have agency in their own cities, provided they send an heir to be held hostage at another location. There’s a focus on the political and the tensions that come with that, but that focus is also wrapped up in magic. Originally, the kingdoms were full of sorcerers who wielded magic for the good of their kingdoms. When the conqueror came in, he killed many of those who had magic and others went into hiding. It’s kind of like a young adult Game of Thrones, but done in a way where you don’t have the potential to mix up the vast cast of characters.

My favorite aspect of this novel was how magic was pitted against the mechanical. Magic is in the past and is viewed by the Emperor and his supporters as something that stands in the way of progress. By vilifying it, the Emperor maintains his control over the world. The repercussions of having it or protecting it are so severe that people are willing to turn in their neighbors in order to protect themselves. It’s entirely a way to keep people from rebelling. The Emperor’s home city is vastly different than that of the formerly magical cities. I really liked reading the industrial parts of it, because it was so different.

The world created in Dreamwielder is similar to other fantasy stories, but because of the strong characters and clear writing, it ended up being more than just another young adult fantasy novel. I wasn’t disappointed in how the book was divided between several characters because all of their smaller stories made up the whole.  I was really interested in dreaming as a power and am interested in seeing how Makarria grows in the next novel. I recommend it for readers who like fantasy, magic, and the threat of overlords.

4 stars.

I received a copy of Dreamwielder from NetGalley and the publisher in exchange for an honest review. Dreamwielder was published September 29th, 2015.

[The Delphi Effect] Rysa Walker

30439157

Anna is a normal girl with an unusual and sometimes debilitating talent. She picks up the ghosts of people who have something they want to do before they move on. When they move on, they leave her with their knowledge, so she’d probably be the best person to have on your trivia team. Sometimes it’s simple, like a goodbye or an apology to a brother; other times it’s a little more time consuming, like that time her ghost hitchhiker wanted her to finish a crossword puzzle; other times it’s downright dangerous. Until Molly, Anna’s life had been living moment to moment: going to her job, her therapist, and dealing with the occasional friendly, but annoying, ghost. When she picks up Molly at the shelter, Molly wants justice for her murder–and she won’t leave until she has it. Thrown headlong into a nearly cold investigation, Anna realizes that it’s much more complicated than a murder. And the people who committed it will do anything to get her once they learn what she can do.

The Delphi Effect was one of those books that I wasn’t sure I would like. I’ve mentioned before that I’m a little leery of paranormal / ghost young adult novels, so I tried to hold that feeling back until I got further into the book. At first it was a little slow because Rysa Walker needed to build the world, but at some point without even realizing it, I was further along in the book and couldn’t put it down. I can’t quite put my finger on what it was that the author did. I’m not sure if it was the slow way that the plot built or the depth of the characters, but the blend made for an entertaining novel.

This novel has several plot elements that were blended together seamlessly. There’s a murder-mystery, the threat of a government entity, and ghosts. I didn’t think that it would work as successfully as it did. I was really impressed with the world-building that occurred while the plot moved along. One wasn’t slowed for the other. I felt that it was genuinely unique; just futuristic enough without being too much or too scientific.

The characters were great. Although The Delphi Effect focused on Anna, the supporting characters were just as well thought out. Each character’s personality was revealed slowly through their actions and words, rather than too much of Anna’s own take on them. I allowed for the reader to see what they were like at the same time as Anna, rather than having her judge them too heavily one way or the other. Even the ghosts–characters who we never see and who can only talk through Anna–were richly described. They each had their own personality that you could see as they tried to impose as little as possible on Anna’s headspace. It’s a little hard for privacy when you’re sharing your mind with multiple ghosts.

I really enjoyed reading about her gifts and about the gifts other people had. I’m very excited to continue reading about them in the rest of the series. I’m glad this book is a series. Nothing was too watered down for the sake of stretching out the content, which is a complaint I’ve had before of series. I’m really curious how the events of this novel will expand in the next two books! I’m definitely going to continue the series, and I may check out more of Rysa Walker’s work in the meantime.

4 stars.

I received a copy of The Delphi Effect from NetGalley and the publisher in exchange for an honest review. The Delphi Effect will be released on October 11th, 2016.

[The Raven King: The Raven Cycle IV] Maggie Stiefvater 

17378527

This is it. The final book of The Raven CycleThe Raven King finishes what was started in The Raven Boys. Finally on the last legs of their quest, Gansey hurtles toward Glendower as Blue tries desperately to think of a way to free him from the future that she knows is coming sooner rather than later. Darker things have come to Henrietta and the raven boys and Blue struggle to find a way to stop them before it’s too late. Everything they’ve known–about themselves, about Glendower and Cabeswater–will be tested.

As a conclusion to the series, The Raven King satisfied most of what I wanted from it. But not all. What I appreciated about the first three novels–namely the family dynamic, the psychics of Fox Way, the enigma of Cabeswater–was overshadowed in The Raven King by the growing relationship between Gansey and Blue, Adam learning how to best be a conduit for Cabeswater, and Ronan’s growing prowess as a dreamer. Don’t get me wrong, I loved all of those parts. But I missed all of the other parts that made the novel whole. I thought they were brushed aside in this novel to make way for the bigger parts, and I could really sense their loss. There was something missing from The Raven King because these pieces were lighter than they were in the first three novels. Some of these things were completely dropped from the narration, as if they had served their purpose and didn’t need to be mentioned ever again. What happened to the psychics? What happened to Noah? What happened to Gwenllian? These are just a few things that felt forgotten. There were so many loose ends.

My favorite characters in this were Ronan and Adam. Their arcs were really fascinating. Adam’s growth in particular was really well done. From being afraid of his father to being able to extend a hand to his family even after they had basically disowned him (although he should have disowned them ages ago in the first place because of how horrible they were to him), he became so much stronger. Out of all of the characters, I think he changed the most. But only marginally more than Ronan. Ronan’s growth was different than Adam’s. As he became more adept with his dreaming, I think that he also became more happy with himself. He found the things that he loved and that came out in how he interacted with the other characters. He was still surly at times, but there were more moments where I was able to see why he fit in with the other raven boys and with Blue. Blue and Ronan were able to come to an understanding and their growing Sis/Bro-mance made me laugh a lot. They’re so similar, even though I think they’d both hate being compared to one another. I loved that both Adam and Ronan were connected to Cabeswater in unique ways.

Blue and Gansey, however, seemed kind of stuck. They didn’t change as much as I expected them to. The changes they went through were less exciting and slightly predictable. Blue was (understandably) obsessed with changing or stopping the combination of her curse and what she had seen at the church back in book one. It was too bad that her character was mostly slimmed down to that. Gansey too, was slimmed down to his obsession, although I couldn’t tell you if that was Glendower or Blue; at this point one only won over the other by a margin. There needed to be more done with them in this book because my interest in them waned. I sometimes preferred the secondary characters over them.

Even so, this book is very much about Gansey. The revelation about him in the previous book was something that seemed a little deus ex machina-ish–a way for Stiefvater to give us the lesson that your powers come from inside–and they came out in full-force in The Raven King. For someone who cares so much about his family and friends, Gansey’s actions in The Raven King read as a little selfish. It seemed out of character for him.

The writing, which I loved in the first three novels, was something that caused the ending to be more ambiguous (even though there was a clear enough ending) than I would have liked. The poetic nature of Stiefvater’s writing really made Cabeswater and Henrietta seem real and surreal. At the end, however, it just seemed half-worked. I wanted a little more clarity on the final events of the novel. It was a little too open-ended, particularly on the things that were brushed aside after they’d been useful à la Noah.  As a result, while I’m happy with the ending of The Raven Cycle as a whole, there are things that faded away and were not addressed. It didn’t really seem like this was an ending ending.

Overall, I would recommend this series for readers who like that blend of fantastical in a contemporary setting. I normally don’t like novels with paranormal features in them because I’ve been burned, but what Stiefvater does with The Raven Cycle is subtle and mysterious enough that it really seems like it could be happening down the street from my house. There’s no obvious, outward indications that we’re not in reality, it’s just four boys and a girl on the trail of something more. They all want so much, but sometimes what they want isn’t always what they expect it to be.

4 stars.