[The Radium Girls: The Dark Story of America’s Shining Women] Kate Moore

Radium: the wonder element. It was used to battle tumors, which meant that it had health-giving elements. It was a cure-all, treating cancer, gout, constipation…it even was said to restore vitality. This “liquid sunshine” couldn’t possibly be bad…

I went into The Radium Girls with absolutely no knowledge of what I was in for other than the vague sense of dread that the synopsis gave me. I have never studied this particular part of history, though I have studied other parts of the same time period. During World War I, women were toiling away at factories where they painted the luminous dials of watches that were used by troops abroad. The substance glowed in an otherworldly, magical way, lingering on the girls’ skin, their hair, their clothes, a light that marked them as special as they shone faintly in the dark. They were on top of the world doing a job that paid better than most jobs they could get at the time and the substance made them beautiful.

Some of the products you could order that had radium in them.

Kate Moore tracks them from 1917 up to 1938 with mentions of World War II; the three parts of the novel follow them as they begin work, as they begin to develop strange illnesses, through their attempts to get justice, and finally the end result. The girls–for some of them began work when they were fourteen–and women take on form through research–letters, newspaper accounts of the time, and legal documents–as well as interviews with descendants. This is extremely well researched. I could feel the depth of the research, even the pieces that likely didn’t make it into the end product. Moore took a vast amount of information about these cases and the history surrounding them and made it readable for the layperson. As someone who hadn’t know about the Radium Girls, it was very informative without losing the heart of this real story. There were so many women that it would be impossible to focus on them all, but by focusing on a small group of them, Moore was able to craft a narrative that was engaging and emotional.

I read an ARC of The Radium Girls, so things will naturally change before its publication date, but I really hope that the final copy of The Radium Girls includes more photographs, scans of newspapers, and the like that relate to the girls and their trials. I think it would have benefited the narrative immensely and made them even more real to me. I think it would be beneficial to have these visuals because the true story contained in The Radium Girls is very difficult to stomach. I was filled with so much horror that I had to back off from reading it for periods of time. If it contained photographs, it would give a short pause to the reader but still keep them very much in the story. It would be a short time to catch your breath before delving back into a story where a woman kept the pieces of her jawbone in a box to present as evidence at a hearing. (In the back of my copy there’s a list of photographs used, so perhaps this is the case.*)

I think that Moore did a good job of presenting all of the information. This novel is about these women and the legacy they’ve left so it was biased in their favor, but it also wasn’t explicitly judgmental toward the companies. Moore let the facts do the talking. That is where the judgement comes from. She told a story and allowed the reader to reach the point of anger and disgust toward the companies on their own. For how could a reader not be disgusted when a company did an autopsy on a recently deceased girl and secret away the bones that would tell of the disease caused by the radium? How could a reader not be disgusted when a company member proclaimed that “nothing was wrong”* to a woman who had lost an arm due to the radium in her former work and another who could hardly walk because her bones were riddled with holes?

Charlotte Purcell, one of the women that Kate Moore focuses on in her novel. Charlotte opted to have her arm amputated in order to stop the cancer from spreading throughout her body.

Not only does The Radium Girls explore who these women were and the legacy they’ve left, but it also explores how power and money make people into horrible human beings without a shred of decency. I cannot say that I felt that any who worked in the company deserved any pity. They walked on the backs of their workers and attempted to deny all. Something that was particularly tragic was that the women were dying and being blamed for their deaths. One woman was said to have syphilis because they didn’t yet know what it was. For the company, that became a sort of justification–it wasn’t their fault. Although they knew that the radium was dangerous or at least could potentially be dangerous, they still denied it, instead disparaging the dead in order to protect their interests. It was disgusting. I was angry for a lot of The Radium Girls because of this. It was horrible to read about the things that the companies and the people protecting them did in order to avoid recognizing that they were in the wrong. There was proof that showed radium was to blame, yet they still ignored it and swept it under the rug, instead blaming the dead: “They were ‘unfit'” or “not in full health when they began to work.”* It was horrible and tragic to read, especially when women were still lip-painting at the factories as other women were fighting for justice.

And these women kept fighting. I think that Moore did them a great justice. By giving readers an account of their stories that did not pull any punches–between the descriptions of their bodies falling apart and betraying them and how poorly they were treated by the companies and their communities–Moore shows readers truly how bad it was for them. And still they fought on. As much as it was tragic and difficult to read at times, it was also really inspiring to read about women who did not stop in their fight for justice and recognition. They changed how companies treat people who are working with dangerous substances.

In terms of writing style, there was a very clear narrative. By taking us through the decades that the girls suffered and fought, Moore created a story that was easy to follow. However, there was a part of the book that I felt lagged because it was a lot of information and names that were sometimes difficult to follow. It was necessary, but it was a lot of information about how they were fighting and being thwarted at every turn. It was hard to read and disheartening. It picked up again when the court hearings began and once I hit that point I couldn’t stop reading. Ultimately, I really enjoyed this book despite it having this slow part.

As someone who knew nothing about these events in history, I recommend going into The Radium Girls prepared. There are moments that are disturbing to read because it isn’t fiction. It is an intense read.

The Radium Girls is a book that explores how women who had few rights as workers took on companies that want to deny them compensation for their illnesses caused by their work. The decades that these women fought and died changed how people worked with dangerous substances. The Radium Girls explores the bravery of these women in the face of the inevitable. Even though they knew they couldn’t do much for themselves, they still fought to change things for the future and to keep others from the same fate. I thought their stories were incredible and recommend this book for anyone who would like to learn more about this part of history and how women fought to be recognized.

4 stars.

I received a copy of The Radium Girls from NetGalley and the publisher in exchange for an honest review. The Radium Girls will be published on May 2nd.

*Comments about photographs and quotes are taken from an unfinished ARC copy of The Radium Girls and may change in the final edition.

[When the Moon Was Ours] Anna-Marie McLemore

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I love that this looks like a screen print.

When the Moon Was Ours is a beautiful book that read like a fairy tale but had a firm place in today’s world. It follows Miel and Sam, two friends who met when she fell out of the town’s decaying water tower. They have only grown closer as they grow older and navigate their lives. A boy who paints moons and a girl who has roses growing out of her wrist, the two are viewed as strange by the townspeople but are largely left alone. When the Moon Was Ours is partially a love story between friends and family, a fairy tale, and a coming of age tale.

What I particularly loved about When the Moon Was Ours was that while McLemore was very upfront about what this book was trying to do, it wasn’t forcing it down the readers’ throats. I’ve read books that go this route and it ends up giving the book a poor taste and ultimately doesn’t succeed. McLemore succeeded in my opinion. Yes, there is a character who doesn’t identify as what they were born as, but the novel was deeper than that.  It was a very caring look into who they were as people, as a whole, rather than purely focusing on one part of who they are. McLemore is teaching through sharing moments of her personal life, and I could really see that as I was reading. It was extremely intimate. The novel takes its time revealing how this has affected the characters and how they are trying to figure out who they are. It is part of the story rather than the whole of the story, which I thought was a very important and natural way of telling it.

I thought that all of the characters were very dynamic and very carefully crafted. The characters who were good had their moments of bad, and the characters opposite of them weren’t all bad. Everyone, no matter where they fell on that line, had reasons for their actions. And often the cause of their actions were because of a fear that they had: fear of discovery, fear of not being enough, fear of being ignored…that made the characters all the more real to me. I really connected with the characters, even the ones who functioned as the “villains” in this fairy tale. I may not have felt as much for them as I felt for Miel and Sam, but it was really easy to see why they acted the way they did. I had sympathy and pity for them.

The character growth in this novel was amazing. There’s the concept of the good and the bad in this novel, and they all grow. I feel like that doesn’t often happen. The bad characters weren’t forgotten. They also traveled to the other side with our two main protagonists and all of them were able to come to an understanding both of their own self and of that of the others. I wasn’t left wondering why the “villains” were like that and what happened to them after the story was over. Everyone had a conclusion.

Magical realism wasn’t a genre I’ve read until recently and to be quite honest there were some moments in the beginning where I wasn’t sure if this book was going to work for me. While I loved the opening pages, there was also a bit of disconnect when the language was too flowery, which muddied up what McLemore was trying to say. As I kept reading I reached an understanding with the language and was able to enjoy the story and the language. It really made the story more fairy tale-like and enjoyable.

I’m not sure what more to say about this novel because I feel that other reviewers have been able to praise it better than I ever could. I also don’t want to say anything that could potentially spoil the experience because I want every reader to enjoy this the way that I did. When the Moon Was Ours was a beautiful novel and one of my favorite reads of 2016. I wasn’t sure if I would like it at first because I had heard that the writing was hard to get through, but I read this in a short amount of time. The characterization and setting was amazing. I highly recommend it for its caring portrayal of those who don’t identify as their outside appearance. The opening lines and the closing author’s note were extremely touching. This book deserves your time and your attention.

To the boys you get called girls, 
the girls who get called boys,
and those who live outside these words.
To those called names, 
and those searching for names of their own.
To those who live on the edges, 
and in the spaces in between. 
i wish for you every light in the sky. 

4 stars.

[Empire of Storms: Throne of Glass V] Sarah J. Maas

Slight spoilers for the previous four books are below.

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Empire of Storms finally brings together everything that began in Heir of Fire and Queen of Shadows. This penultimate novel in the Throne of Glass series showcases Aelin’s power–political, physical, and magical–in a way that really presents her as a Queen for the people. However, not everyone is as in love with Aelin and her fire as her Court is. Many fear what her power could mean for them, should she decide that she doesn’t like what they’re doing. As always, people who have power fear to lose it. Aelin has to prove that she won’t use her power to force people’s hands like she did in Wendlyn. She has to prove that she’s a Queen.

I really enjoyed reading this book. Some of the events were a little more boring than others, but ultimately every moment, no matter how seemingly insignificant, matter. There’s a lot of perspectives in this novel and they’re all intertwined in a cohesive, entertaining, and emotional way. The book focuses on dealing with the aftermath of what happened in Rifthold when Dorian and Aelin end the King of Adarlan’s reign and the seal on magic.

In the previous novels, characters had been introduced but we didn’t get a lot of time with them because of the focus on Aelin’s quest. This time, more of the pages were given to those side characters, and I think it worked really well. I enjoyed reading how characters functioned and acted when the group separated and Aelin was off doing something else. Rowan and Dorian, Lysandra, Elide, Manon, Aedion…and even characters that we’d previously been told were not necessarily allies got pages. While I liked them in the previous novels, Empire of Storms made me fall in love with them completely.

Manon’s storyline escalated in a way that had me cheering for her. It was absolutely wonderful. Character arc-wise, hers is so in depth and filled with emotion. There’s been few characters I’ve read who go through as much change and internal conflict as she does and comes to terms with it. I loved that she went from a character who believed in emotionless discipline to someone who realized that caring for another creature, witch, or human was not a weakness. She’s part of the group of strong females that Maas has written, and I appreciate it so much. It’s never about the men saving them. Manon takes control of her own life and doesn’t allow anyone to tell her otherwise.

Similarly, Lysandra moves from this former courtesan to an impressive force that uses her shifting power in ways that surprises everyone. She’d been treated as a commodity for nearly as long as Aelin was an assassin and now that she has freedom she uses her abilities to get as many different tastes of freedom. I wish there had been more in her point of view. Reading how she dealt with her past as she forged her future would have added a lot to her sections.

This time around, though, my favorite side character was Elide. Her entire life she’s been controlled. While she did escape in the last book, I felt like her true potential wasn’t realized. It is in Empire of Storms. She uses what she’s learned by watching the strong women in her life, namely Manon and Asterin, and manipulates situations to protect herself as well as turn them in her favor. She’s consumed by a desire to return to Aelin, yet she also is so terrified that Aelin won’t accept her. She’s similar to Aedion in that aspect; both had things done to them and did things that they’re ashamed of and so are afraid to return to Aelin. They want to return so badly but fear that she will turn from them. What they don’t know is that Aelin also has those fears, but they’re reversed. I loved reading how Elide came to terms with that as well as her journey into strength. Ultimately, I felt that Elide’s story matched Manon’s in emotion. It was hard to read the moments where she was desperate to survive and the moments where her heart hurt.

A driving force of these novels and also why I read them are characters like these. I’ve only really talked about the women so far because I feel like they have more to come up against, but the male characters were equally well-written. I can really appreciate when an author makes all of their characters, even the side-ones, important to the story and interesting to read. Back when Manon was introduced in Heir of Fire, I kind of felt like her story didn’t really have a point. To have her progress to a point where she’s vital to the story is amazing. And that’s what happens with all of the characters. They’re first introduced in small doses, planets rotating around Aelin’s star. But in this book, the focus turns to them and I was able to realize just how much they’re all meant to complement each other.

They’re all characters that have been told one thing for half or most of their life, characters who are beaten down to the point where you don’t expect that they’ll be able to change and come out of it. That’s what is so beautiful about Empire of Storms. Readers already know Aelin. By focusing on the others, readers are able to truly see how they all have come from these dark places but they don’t allow that darkness to control them. Their similar experiences allow them to heal one another.

When characters are around each other for long periods of time, I get why the romances happen. But I felt like there was a bit too much of this book dedicated to the creation or consummation of these romances. I understand that romance is a huge draw, but I also felt like I wanted to know more details about the travelling and growth of Aelin’s Court and people rather than the amount of times they thought about each other’s body parts. I get it. I just don’t need to be reminded of it constantly. Love flourishes even in the worst of conditions, but I felt that the characters lost their focus a bit on the main conflict of their world and that of the novel.

While I’m happy with the pairings that Maas set up, I also felt like it was too tidy. Everyone is paired or has the potential for a pairing. As a result, there are some that I prefer over others, and the rest exist purely so there can be some romance when the chapters switch to their point of view. Some of the characters lost a little bit of their importance because they were so focused on the object of their affection. That said, it’s only a minor squabble I have with Empire of Storms. Not everyone needs to be paired and it’s not realistic that everyone is paired in my opinion.

I found Empire of Storms to be the second most emotional book of the series for me. There were so many events happening, some of them behind the scenes, that when they played out or revealed had a big emotional punch.  All the pieces came together–all of the things that Aelin had kept from her Court and the reader fell into place. It shocked me at how well Maas had taken all of those separate storylines and knitted them together into one to the point where I wasn’t expecting things to happen. This certainly is the definition of a penultimate book: villains showed their faces, enemies turned into begrudging allies, people were protected, and romances were realized. Like all of Maas’ Throne of Glass novels, Empire of Storms had a cliff-hanger ending that promises lots of conflict in the next novel. I’m very excited to see how this series concludes, yet I’m also afraid to read it because I know that there’s no way everything will be happily ever after. But I can hope for it.

Sitting pretty comfortably at 4.5 stars exactly. I liked the plot a lot, but it did get bogged down by the focus on the romances.

 

[Queen of Shadows: Throne of Glass IV] Sarah J. Maas

As always, slight spoilers for the previous novels.

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Coming fresh from reading Heir of FireQueen of Shadows lacked a little bit of the punch that the other did. Perhaps it was because she was back in Adarlan where I was already familiar with the villain, but I felt that this book dealt with a lot of the logistics of setting up the next book in the series and dealing with the aftermath of what happened in Heir of Fire instead of really doing anything new.  For me, Celaena’s journey back to Adarlan and the duties she had to address there were a little boring after the excitement of her training and coming into her identity as Aelin, as well as the excitement and horror at the capture of Aedion, Dorian, and Chaol. In Queen of Shadows, not only does Aelin have to address her past, but she also has to address the future of her kingdom as well as the continuation of the one she’s known for half her life. And unfortunately, a lot of that was planning and plotting.

In the last book, Celaena’s character growth was something that I truly enjoyed reading and that growth is not quite done. Yes, she came into her power and name, but there are moments in Queen of Shadows where Aelin can’t quite shake her identity as Celaena. She’s been Celaena for half her life to survive, so getting rid of that persona completely is likely impossible. There are skills and allies she made while she was an assassin and she finds that it is necessary to masquerade as Celaena for a few moments longer.

This time, however, I liked reading how that caused conflict within her, as well as shock for the characters around her. The characters who only knew her as Aelin sometimes struggle with her actions as Celaena, while the characters who knew her as Celaena struggle with seeing her as anything else and don’t always trust her actions as Aelin. That leads to conflict between all the characters involved, which was a source of a lot of the tension in the book.

This book really focused on the internal tension. As always, there’s the outside tension that comes from their enemies and their movements, but this one really focused on the tensions between characters and their allies. They didn’t always trust each other even if they all were working toward a greater goal. Aelin no longer can rely on the magic that she’d nurtured because she’s back in a land where it was cutoff. She can’t rely on the fear tactic of showing her power, although she does still have the fear tactics of an assassin. Instead, she has to rely on her words and her diplomatic skills. It was a nice change because she had to come into her other power: that of a Queen. As Queen, she can’t just force her potential allies to their knees. She has to address their concerns as well as her own, and come to a decision, which could often be a compromise.

This was shown through her interactions with Chaol. When she left and he discovered that she was Aelin through the hints she gave him, he really struggled with coming to terms with that information. The girl he thought he knew was someone completely different. He wanted to ignore that she was an assassin, but he couldn’t ignore that she is the lost Queen. He also has to deal with the heartbreak that he still feels about losing her and being unable to love all of the different parts of her character. Aelin, likewise, hasn’t quite dealt with how their relationship ended. They both have anger in them, and that makes it nearly impossible for them to compromise. Until they’re able to forgive the things that have happened between them–and the decisions that they both make to protect what they love but doesn’t necessarily protect what the other loves–they don’t work well together.

Chaol wants to protect his kingdom, and Aelin wants to protect hers. I thought that Maas did a wonderful job at showing the pressures of being the sole heir of a kingdom but she also wants to be a girl, a friend, and a person. But so much of Aelin’s identity now is the fact that she’s that heir, and it definitely gets to Aelin. She has to step into her role as a Queen and the leader of her Court, and sometimes she doesn’t quite fit. Her journey to fit into that mold yet still remain true to her friends, her Court, and herself was plotted out really well. It wasn’t instantaneous and she had to balance all those parts of herself.

In the last book, Manon Blackbeak was introduced as an Ironteeth witch, a type of creature that had previously been shown as a villainous one. She’s in charge of the Thirteen, who are thirteen Ironteeth witches that are basically the best at what they do, and what they do varies. In Heir of Fire, her storyline wrapped up with the Ironteeth witch storyline was interesting but I wasn’t sure why it had been included. It seemed like it was just there to divide the narrative and to show more of the world without any real function.

There’s more of a focus on that story in this novel and I ended up really liking her character. Her character arc was really well done, and reading her part was a welcome change from the kind of boring set-ups that were occurring in the Aelin, Chaol, and Adarlan storylines. She’s built up as a character who has these strict rules that she follows, but more and more she’s put into situations where she questions her upbringing as an Ironteeth witch. She questions if everything she’s known her whole life is as black and white as it seems. I honestly think that she’s my favorite character in Queen of Shadows because of that internal conflict. It’s the reason why I liked Celaena in the last novel so much; I love the internal conflict as characters come up against things they’ve avoided for a chunk of their lives. I’m really excited to see what happens with her and her Thirteen and if Manon will change.

While I did really enjoy this story, particularly the Manon/Thirteen storyline, I did feel like it lacked some of that page turning excitement that the other had. I felt that Queen of Shadows ended kind of abruptly, with several conflicts and storylines wrapping up a little too neatly for my tastes, even though there were consequences that will linger in the next book. While some parts of the book are definitely worth a 5 star rating, I didn’t have as many feelings of pure enjoyment that the previous novel gave me.

4 stars.

[Crown of Midnight: Throne of Glass II] Sarah J. Maas

Just in case there are people who haven’t read Throne of Glass reading this review (I was one of you not long ago), this review has potential spoilers for Throne of Glass. There’s also a very, very light (and not specific) spoiler for Crown of Midnight, but since it’s already been mentioned in the official summary of the book, I think it’s okay to mention it in my review. Just a warning!

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I really hate when the summary of the book gives away too much the way it does for Crown of Midnight. There are some things I wish had been kept from the reader because I wouldn’t have been aware of it coming up and the impact would have been greater. Anyway. Review time.

Crown of Midnight is the second novel in the Throne of Glass series. Now the King’s Champion and assassin, Celaena is counting down the days to her true freedom–when she can leave Adarlan and disappear into the forests and mountains far away. So for now she bides her time, killing at the King’s whim and trying not to lose herself in the process. Celaena, however, has a secret–one that she hides from the King and hides from her friends. And when there are secrets, it’s only a matter of time before they come out. And she’s not the only one keeping them.

I was actually really impressed with how there was a sharp increase in talent in the writing of this one compared to Throne of Glass. Had that not happened, I would not have continued the series. So really good job, Sarah J. Maas, at getting someone who didn’t like your first book into liking and wanting to continue the rest of your series due to the second. The style became less telling and I was more invested in the characters as things were revealed about them slowly. It helped too, that the focus wasn’t on a competition (but the true focus was actually on the shoddy love triangle and obsessive vanity of Celaena) the way it was in Throne of Glass. The writing style was so much better, which translated to the plot, pacing, characterization, and setting being well-thought out and engaging. I almost couldn’t believe that this was the same series, it was such a change. A good change.

I loved how the friendship between Nehemia and Celaena grew and changed in this book. Sometimes they didn’t get along, which only made me enjoy their friendship more because it was something that was realistic. Everything wasn’t rosy and sometimes they couldn’t take back the things they said, only heal over them. The relationships between Celaena, Dorian, and Chaol changed as well. At times there were tensions between the three of them, which made for some interesting interactions. As is the point of love triangles, I favored one pairing over the other. I also feel like the writing was pointedly directing us toward this pairing, which made me feel like the other pairing was kind of a waste of time and pages. Fortunately, it wasn’t that big of a problem for me. Even though there was romance and a light love triangle, I felt that the focus still remained on Celaena and her story rather than the romantic relationship between the characters. I was glad the focus was not on that. Romantic or not, I really appreciated the way that the relationships where written in this book.

As I mentioned before, the book kind of shot itself in the foot when the summary basically destroyed any chance it had at a shocking moment. There was tension, yes, but once I realized who was safe it was obvious who was not. Any impact it had was kind of lost because I felt very bored while reading about Celaena’s flight to stop it. Getting away from that, there are other secrets in this book that are not ruined beforehand. Granted, they had been heavily hinted at earlier, both in this book and in Throne of Glass, so I already had my expectations. I did like how it was revealed and how it sets up the rest of the series, especially when Celaena’s personal life was left hanging at the end of Crown of Midnight.

It’s not often that I continue onto a second book after not liking the first one, but I am glad that I listened to the advice of other readers about this being a series worth continuing. Of course, I still have an issue with the fact that I have to finish two books in order to see what the series is really about, because this should be given to readers in the first book. This is probably the last time I’ll bring that up, but I think it is a true issue and deterrent to this series that other readers have. If you are willing to make it through that first book, however, the series becomes something that I’m really excited to continue reading.

4 stars.

I received this book from Tessa for a Book of the Month club.

[Dreamwielder] Garrett Calcaterra

Dreaming is magic in this one, and magic is forbidden. It seems like it will be an exciting mix of magic v. mechanical, so I'm pretty interested in getting into this one. We'll see if this first book makes me want to continue with the series.

Dreamwielder started in the middle of the action, set in a world that had already been conquered and one where magic is outlawed. I love that that it started in the middle, because we’re thrown into a world that is dealing with the aftermath of this–dealing with the aftermath of wars, usurpations, and failed rebellions–but that is not the entire focus of the novel. We meet Makarria, a girl who has strange power in her dreams, as one of the people trying to eke out a life with her family. Far from the Emperor’s realm, Makarria believes that life is only about the small farmstead by the sea. Forbidden to dream by her parents, Makarria does her best to obey. When her dreams create something that put her on the Emperor’s map, she flees and begins to understand that her life is not as simple as she had thought. With a well-written cast of characters, Dreamwielder surpassed my expectations of what sort of fantasy novel this was.

I was really impressed with the characters in this. Divided between several characters of different backgrounds, Garrett Calcaterra blended each of their stories and lives into a cohesive narrative that I loved. It was a little slow at first because of the world-building, but as the world and characters built, I eventually couldn’t wait to see what Calcaterra came up with next. The cast was diverse in age, so that meant that their experiences were all different. I wasn’t treated to a book with characters that were so similar they may as well have been one. One of them was a prince who was a hostage–my particular favorite because he had no magic in this world of magic. I liked reading how he coped with having a sister who had visions and dealt with being a protector who had no powers other than his own fighting talent. On the opposite side of that was Makarria, a girl who had lost her family and was slowly discovering just what her talents could do. All of the characters were strong, and I appreciated that the female characters didn’t wait around to be rescued. I liked that they surprised the male characters with their actions.

I also enjoyed that there were secrets surrounding the characters and they were often unaware of these secrets themselves. I like when the author treats the reader to a little more information than what the characters know, because it’s fun to read how they’re revealed to the characters. Reading as their paths got closer together made for some exciting reading.

Although Dreamwielder has the potential to be entirely full of clichés, it’s well-written enough that you hardly notice there are even clichés. Dreamwielder begins with an idea of a series of kingdoms under siege and in a hostage situation. A ruler has come in and conquered these kingdoms but allows them to still have agency in their own cities, provided they send an heir to be held hostage at another location. There’s a focus on the political and the tensions that come with that, but that focus is also wrapped up in magic. Originally, the kingdoms were full of sorcerers who wielded magic for the good of their kingdoms. When the conqueror came in, he killed many of those who had magic and others went into hiding. It’s kind of like a young adult Game of Thrones, but done in a way where you don’t have the potential to mix up the vast cast of characters.

My favorite aspect of this novel was how magic was pitted against the mechanical. Magic is in the past and is viewed by the Emperor and his supporters as something that stands in the way of progress. By vilifying it, the Emperor maintains his control over the world. The repercussions of having it or protecting it are so severe that people are willing to turn in their neighbors in order to protect themselves. It’s entirely a way to keep people from rebelling. The Emperor’s home city is vastly different than that of the formerly magical cities. I really liked reading the industrial parts of it, because it was so different.

The world created in Dreamwielder is similar to other fantasy stories, but because of the strong characters and clear writing, it ended up being more than just another young adult fantasy novel. I wasn’t disappointed in how the book was divided between several characters because all of their smaller stories made up the whole.  I was really interested in dreaming as a power and am interested in seeing how Makarria grows in the next novel. I recommend it for readers who like fantasy, magic, and the threat of overlords.

4 stars.

I received a copy of Dreamwielder from NetGalley and the publisher in exchange for an honest review. Dreamwielder was published September 29th, 2015.

[The Delphi Effect] Rysa Walker

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Anna is a normal girl with an unusual and sometimes debilitating talent. She picks up the ghosts of people who have something they want to do before they move on. When they move on, they leave her with their knowledge, so she’d probably be the best person to have on your trivia team. Sometimes it’s simple, like a goodbye or an apology to a brother; other times it’s a little more time consuming, like that time her ghost hitchhiker wanted her to finish a crossword puzzle; other times it’s downright dangerous. Until Molly, Anna’s life had been living moment to moment: going to her job, her therapist, and dealing with the occasional friendly, but annoying, ghost. When she picks up Molly at the shelter, Molly wants justice for her murder–and she won’t leave until she has it. Thrown headlong into a nearly cold investigation, Anna realizes that it’s much more complicated than a murder. And the people who committed it will do anything to get her once they learn what she can do.

The Delphi Effect was one of those books that I wasn’t sure I would like. I’ve mentioned before that I’m a little leery of paranormal / ghost young adult novels, so I tried to hold that feeling back until I got further into the book. At first it was a little slow because Rysa Walker needed to build the world, but at some point without even realizing it, I was further along in the book and couldn’t put it down. I can’t quite put my finger on what it was that the author did. I’m not sure if it was the slow way that the plot built or the depth of the characters, but the blend made for an entertaining novel.

This novel has several plot elements that were blended together seamlessly. There’s a murder-mystery, the threat of a government entity, and ghosts. I didn’t think that it would work as successfully as it did. I was really impressed with the world-building that occurred while the plot moved along. One wasn’t slowed for the other. I felt that it was genuinely unique; just futuristic enough without being too much or too scientific.

The characters were great. Although The Delphi Effect focused on Anna, the supporting characters were just as well thought out. Each character’s personality was revealed slowly through their actions and words, rather than too much of Anna’s own take on them. I allowed for the reader to see what they were like at the same time as Anna, rather than having her judge them too heavily one way or the other. Even the ghosts–characters who we never see and who can only talk through Anna–were richly described. They each had their own personality that you could see as they tried to impose as little as possible on Anna’s headspace. It’s a little hard for privacy when you’re sharing your mind with multiple ghosts.

I really enjoyed reading about her gifts and about the gifts other people had. I’m very excited to continue reading about them in the rest of the series. I’m glad this book is a series. Nothing was too watered down for the sake of stretching out the content, which is a complaint I’ve had before of series. I’m really curious how the events of this novel will expand in the next two books! I’m definitely going to continue the series, and I may check out more of Rysa Walker’s work in the meantime.

4 stars.

I received a copy of The Delphi Effect from NetGalley and the publisher in exchange for an honest review. The Delphi Effect will be released on October 11th, 2016.