[Long Way Down] Jason Reynolds

No crying. No snitching. Revenge.

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Another thing about the rules:

They weren’t meant to be broken
They were meant for the broken

to follow. 

These are the rules at the core of Long Way Down, a story about a boy looking to avenge the death of his brother. Written in prose, we follow Will as he takes the elevator down to the lobby the day after his brother was killed. With his mother’s sobs filling his ears, he sees no other alternative than to kill the person who killed Shawn. Or, at least, the person he thinks killed Shawn. He’s certain that he knows the guy. What follows is an exploration of a life and how the people around you shape how you live yours.

When I first started Long Way Down I wasn’t sure if I’d like the prose. Prose has an ability to really speak to you as a reader, but it also has the potential of simplifying a situation. That was not the case with this novel. I thought that Reynolds did a superb job of using the form to introduce the traged(ies) and the characters and their mindsets. I don’t think I could have been given a clearer picture. The words were so full of emotion–not only for this fictional situation, but for the very really lives that live in a world like this. I found myself equally looking forward to how the next visitor in the elevator fit in and dreading the new facet to the tragedy.

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[Ruin and Rising: The Grisha Trilogy III] Leigh Bardugo

We all die. Not everyone dies for a reason.

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My opinion of this series has changed a lot over the past couple of days. I spent the better part of a day reading through Ruin and Rising in its entirety, even staying up far too late. I was exhausted the next day, but I couldn’t stop reading it when each chapter was filled with action and emotion. Ruin and Rising picks up after the capital has fallen. Alina feels pretty broken, and it’s hard to heal when you’re trapped underground and worried that the Darkling’s forces will find you.

These beautiful illustrations are by Irene Koh.

Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.

I want to talk about the characters first. I know that this series–and the companion series–has been read and reviewed a lot, so there’s hardly anything new to say. But I’m going to throw my voice in there regardless. I sometimes feel like I’m one of the only readers who likes Mal. I think that his character growth is one of the better things about the series. I’ve heard that readers find him whiny, but I found him very real. He seemed like a real and true person in this fantasy world. He’s presented with so many impossible choices throughout the series and he decides to stay and help Alina, even though he doesn’t know if it will work out for them. He is steadfast and brave even when things are chipping at his resolve and his own emotions. I loved it. Yes, there are better love interests and better characters in other series, but for the Grisha trilogy, I found him to be one of the most changed characters by the end.

You move forward, and when you falter, you get up. And when you can’t, you let us carry you. You let me carry you.

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[The Disappearances] Emily Bain Murphy

 

The Disappearances is a magical-realism, historical novel rich in character and story. The novel primarily follows Aila, whose life has been uprooted following the death of her mother and the deployment of her father. At some point I had forgotten that this was also a historical novel, so that gave it a nice unexpected flavor when I first started reading it. The Disappearances is about a set of three towns that have been struck by strange Disappearances that no one can explain. With a focus on Sterling, the town that Aila’s mother grew up in, The Disappearances probes the events of the past: possible Catalysts, what has disappeared, and how they’ve unlocked some of the secrets of Sterling. When Aila and her brother arrive it’s like the past has come to Sterling; Aila’s remarkable likeness to her mother, Juliet, the only person who escaped Sterling, sets the townspeople on edge. With the next Disappearance coming up, Aila strives to clear her family’s name by discovering where the Disappearances came from. But there are those who may not want the Disappearances to stop.

“We call them the Disappearances.”*

‘The Disappearance affected everyone, young and old, and every thing: fruits and flowers, perfumes and shampoos–even those things that make people sentimental, like the smell of a child’s hair, or scents linked to important memories.’* 

Disappearances. Catalysts. A mystery that has affected Sterling since 1907, with something new disappearing every seven years. It’s something small, something mundane that you don’t think about until it’s gone: the smell of baking bread and flowers, your reflection in mirrors or lakes, the stars. It’s only when it’s gone that you realize what you’ve lost. With the Disappearances affecting everyone for most of their lives or since birth, living with them has become the norm. The townspeople have adopted rules regarding outsiders and the Disappearances, so when Aila and her brother come to live in Sterling with an old friend of their mother’s and her family, it causes problems within a community where tensions are already high. Their mother is called a Catalyst, a witch, and other things,  and it falls to Aila and her brother to deal with the accusations of the townspeople. Aila knows that the only way to clear her mother’s name is to discover the truth about the Disappearances. Continue reading

[The Last Magician] Lisa Maxwell

I love the ouroboros element on the cover.

Find the Magician. And stop him before he destroys our future.*

The Lost Magician starts with a connection, though they don’t know it yet. Esta is a thief who uses her old magic to manipulate time, slowing it down and even jumping to the past and present. Dolph is the leader of a gang of Mageus who use their powers to protect those who cannot. And Harte is trying to blend in as a Sundren magician, hiding his Mageus powers in plain sight in a time when having old magic marked you as a target for the Order of Ortus Aurea in their climb to power. Their stories are connected by the Ars Arcana–a book that was thought to be lost. A book that is said to hold the secret to magic itself. A book that they all want.

Lisa Maxwell has created a story full of fascinating characters, a vivid setting, and an interesting plot. At 512 pages, it may seem a little long, but it kept me fascinated the entire time. As the story progressed and the twists began to show themselves, I seemed to read it faster, hurtling toward an end that made me angry–because it was over and I wanted to read more! While I initially thought The Last Magician was a stand-alone novel, it turns out that it’s the first part of a duology. I’m so glad I get to spend more time with the people and places of Maxwell’s Mageus society, even though I’m not happy about having to wait. I will just have to practice my patience.

The bulk of The Last Magician is set in the world of 1900s Manhattan, in the city before it became soaring skyscrapers and cacophonous noise at all hours of the day and night. The Manhattan of The Last Magician is full of the clip-clop of horse drawn carriages through cobblestone streets, the sickly-sweet smell of opium nests, and the thrill of living in a city that looks toward the future. The city has elements of hope and fear as the Sundren and Mageus live together, sometimes unknowingly. For the Mageus, having the old magic means that you have an affinity: power that allows you to manipulate time, know someone’s thoughts, or kill someone without touching. Naturally, the Sundren fear this, because people often fear what they don’t understand. The old magic is palpable in the air, with a warmth and a hum that is so different than Esta’s Manhattan.

In present-day Manhattan, the old magic–the magic that Esta and the rest of the Professor’s Mageus crew have–is nearly dead. The one thing that connects the two times, other than the magic flowing through their veins, is the Brink. The Brink, to those without magic, is nothing. To those with magic, it is terrifying. If they get too close to the Brink, it seems to pull at the magic in them, desiring to take it from them. To get close is to feel like you are losing part of yourself. To pass through means the loss of your mind and certain death. The Mageus have been trapped on the island ever since the Brink was created by the Order. And in 1902, more and more Mageus flock to Manhattan and the promise that they will not be persecuted there like they have been in their old countries, only to find that they are trapped there by the Brink.

A view of the Brooklyn Bridge, where the Brink is located.

Maybe it was because the Order of Ortus Aurea and all they’d done so long ago seemed more like myth than reality. The stories had been so monstrous, but in actuality, the Order itself had always been little more than a shadow haunting the periphery of Esta’s vision, the boogyman in her unopened closet.* 

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[Now I Rise: The Conqueror’s Saga II] Kiersten White

This review contains some minor spoilers for the first novel in The Conqueror’s Saga. This review is also long because I loved this book so much.

One of my minor complaints about And I Darken (the first in the series) was that it got a little long purely because there’s a lot of unfamiliar names, places, and events that I had to first get through in order to get to the story. That was not the case with the second novel. Now I Rise benefits from the world building that was done in the first novel and further expands on locations that had smaller parts in the first novel. It balances character growth with action, creating a thrilling story that had me questioning characters’ motives. It is a a great continuation of a series that is set in a historical context that is real, yet also genderbends a historical figure. It made me more excited about a series that I already loved.

Lada and Radu burst back onto the scene shortly after where And I Darken left them. Radu remains in the Ottoman Empire, and Lada is trying to regain what she believes is rightfully hers: Wallachia. They’ve taken different paths that are still connected to each other, but Radu uses gilded words and Lada uses cold steel. Mehmed remains, but Now I Rise quickly becomes about Lada and Radu. Mehmed takes on a role in the background but occasionally comes back to interact with our main characters. And even when he’s not physically there, both Radu and Lada often think about him. Sometimes he still affects how they act, but gradually that changes.

Shortly into the novel Radu is sent to Constantinople to act as a spy for Mehmed. Although he has quite a bit of worries about going there, he follows Mehmed’s orders because he loves him. In the first novel, Radu learns how to use his skills to further Mehmed and through close proximity, himself. He is very charismatic, and it was interesting to read how he grew into it in And I Darken. This novel finds Radu questioning much of what he believes and who he believes in. Radu is semi-stranded in Constantinople for months. At first, he eagerly awaits a war that he knows is coming, playing his role as defector to the Christians as he secretly plots to bring Constantinople down. The longer he stays in Constantinople, however,  the more he questions the motives of Mehmed and what he’s doing.

He had imagined Constantinople, had wanted it for Mehmed. It had been simple and straightforward. But now he knew the true cost of things, the murky horrors of the distance between wanting something and getting it.*

Radu is becoming a part of Constantinople and being accepted by people there, but he knows that he ultimately will betray them. It begins to wear on him. Reading this expanded his character in a new direction that was so raw I was heartbroken for him. While this series does tend to focus more on Lada as the female Vlad, I feel that Radu has the greater emotional response in Now I Rise.

Radu had seen what it took to be great, and he never again wanted to be part of something bigger than himself.*

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[Goodbye Days] Jeff Zentner

Goodbye Days immerses us in tragedy. There’s no warning, much like how the tragedy unfolded.  Carter is at the final funeral of his three best friends after a horrific car crash claimed them all, contemplating carpet patterns in an effort to put-off the impending wave of grief. He’s numb and worried about how many people blame him, because he certainly does. When Mar’s phone was found, he was replying to Carter’s message. So yes, Carver believes that he “wrote his friends out of existence.”

In The Serpent King, Jeff Zentner introduced how tragedy can come at any moment and how coming to terms with it–if you even can–is something that you can only do yourself. Of course, the people around you suffering from the same tragedy can help you, but ultimately, we all internalize tragedy and how we deal with it differently. This is constant in Goodbye Days. It’s in the moments of forgetting right when Carver gets up, in the moments when he’s doing something mundane–just living–and it comes crashing down on him that his three friends will never be able to complete that comic they were drawing, never participate in another joke, never write another song. Grief and forgetting comes in waves, and the guilt for forgetting is crippling.

Gradually, the grief becomes manageable, but it never leaves. I felt that Zentner was able to convey that perfectly with his writing as he illustrated the different forms that grief takes after a tragedy. Like The Serpent King, it felt real. Contemporary novels tend to deal with real problems that teens go through (the ones that aren’t only about romance, at least), but sometimes there’s an element of it being contrived that keeps me from truly enjoying it. Zentner’s work is not that way. His characters would have no trouble walking off of the pages and onto the streets. They’re that realistic. They breathe. You ache and cheer with them. It’s absolutely incredible and a treat to meet his new characters.

This book is unique in the sense that it has both living and deceased characters. Through Carter’s own words and memories we’re introduced to Sauce Crew: Eli, Blake, and Mars. As he remembers them we’re shown just how amazing they were to the people around them and what their loved ones lost when they died. And that’s where the name of the novel comes in.

“Goodbye days” are a way to say goodbye to the one you’ve lost. For an entire day, you do the things that remind you of them or what they liked doing. Whenever we lose someone, we wish that we could have just one more moment with them. These goodbye days are a way to remember them as you try to let them go. Everyone holds a different part of their loved one–you may know that your friend loved dancing, but didn’t know that they were a secret enka fan. In a goodbye day, everyone comes together and shares those things so you have a complete picture of the one you lost. And then you say goodbye.

Goodbye Days is a beautiful novel that has many heart wrenching moments of the reality of death and how suddenly it can come. It’s even more tragic when people the lives of young people are cut short. It’s a novel with a message, but not one that takes over the narrative. Texting while driving is something that occurs every day, though it shouldn’t happen at all. When it’s a habit to have a phone in our hand, we don’t always think of the consequences of our actions. Carver constantly goes back to that text. Where are you guys? Text me back. It follows him throughout the novel. It’s there in therapy, where he tries to reinforce his guilt instead of forgiving himself for a mistake and it’s there in the threat of a criminal investigation. Zentner shows just how tragic the consequences can be. And there’s no taking it back.

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[The Bear and the Nightingale] Katherine Arden

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I absolutely loved The Bear and the Nightingale. Katherine Arden has crafted a beautiful tale of wildness, beauty, and fantasy. It’s the story of Vasilisa–called Vasya by those who love her–and her family’s trials and triumphs in a world that doesn’t always believe in the mystical. In the wilds of Russia, far from the civilized world of Moscow, Vasilisa and her siblings grow up believing in Morozko–the not-always-nice Frost–and other household and wilderness beings such as the domovoi and the rusalka. It chronicles the life of Vasilisa as she grows and discovers how to reconcile her old beliefs with new ones that make their way to her household.

The Bear and the Nightingale opens with a Russian folktale, that of Morozko and the maiden. It sets up the story quite well, as there are parallels to this folktale throughout The Bear and the Nightingale. While I would say that is the main folktale that is threaded throughout the book, Arden has included more of the mythology and stories of the region to create a rich cultural setting in addition to a rich physical setting. And it wasn’t mentioned just to have “culture.” The beliefs of the North–which is, according to those who live in the cities, obsolete and incorrect–are consistently in the narrative. As Vasilisa grows, Arden introduces more of the mythology as she learns about it through exploring her world. It was a natural way of storytelling and of growing the world contained in the book.

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Morozko and the Maiden

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