[Furyborn] Claire Legrand

The premise of Furyborn is the legend of two queens: one of light and one of blood. Legrand takes the legend of these two queens and sets them miles––and years––apart. As the story spans across centuries, the legend of the two queens becomes just that––a legend. But when a girl who can’t be injured comes along, people begin to believe that perhaps it’s not just a legend.

To start off, I think that the premise for this book is amazing. I love the idea of things that don’t seem connected at first, especially when they involve the falls of kingdoms and of powerful women who don’t downplay their talents. It’s something that I love seeing in books, because I feel like there’s a ton of female characters who write off their talents. This was not the case for Rielle and Eliana. They both know that they’re talented––one with the elements and one with knives––and they’re both really unapologetic about it. There need to be more women like this in fiction. Having the book focused on the two of them made it really enjoyable, and I liked how both of their perspectives were super different. Their lives were so different too and seeing that contrast showed more of the world than if they’d both come from the same background.

The worldbuilding in this novel was great! The world was easily my favorite part about this novel. It was really interesting to see how Legrand built up the world by subtly putting in information as Rielle was going through the elemental trials. It was just enough that I really wanted to know more––or perhaps I could read some prequels about the Saints?? please and thank you––without taking away from the rest of the story. This novel kind of has two different settings and worlds, too; even though both Rielle and Eliana technically exist in the same world, they exist a thousand years apart. That means that Rielle’s reality, the one that we’re shown with angels and magic, is not Eliana’s reality. In fact, so many years have passed that people don’t really believe that magic ever existed. They think that they’re just stories. I loved that we could see these two settings side by side because of the dual perspective. I also really appreciated that Legrand showed negatives and positives to both times and didn’t make one better than the other.

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[Sky in the Deep] Adrienne Young

It was what we’d been taught our entire lives––vegr yfir fjor––honor above life. 

Sky in the Deep is a Viking inspired story with battles, betrayal, and the realization that your enemy isn’t as different from you as you thought. I really loved this one! I read it in the bulk of one day and then immediately wished I hadn’t because it was over.

Sky in the Deep takes starting in the action very literally. We find ourselves in the middle of a battle with Eelyn and her fighting partner, Mýra, readying themselves to charge at members of the Riki clan. They’re members of the Aska clan, and once every five years, they meet on the battlefield to avenge those of their tribe who fell in the years before. For Eelyn, this is her brother. She fights to avenge his death five years before, pushing down her own guilt about being unable to give him proper rites after the battle. When she meets him on the battlefield and he saves her life, people think that she’s been touched by Sigr, their God. Eelyn isn’t so sure. When she discovers that it wasn’t a spirit sent by her God, Eelyn is thrust into the world of her enemy.

I thought that the beginning of the story was strong because it was right in the action, but it also meant that I felt a little blindsided as a reader. I didn’t know much about the world, just that they were fighting. Initially it did put me off a bit because of how frantic it felt. Young dials it back by having Eelyn captured, which helped immensely. There’s still the feeling of being in the action, but it’s bubbling underneath the surface instead of being right there. I loved that. Young used this time to show the different cultures that are in the book, and I was able to get a clearer picture of the world. I love world building, and this novel was full of everything I like seeing when authors build new worlds: different cultures and ways of life; different religions and celebrations; lush settings. It was great!

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[Shadowsong] S. Jae-Jones

What are monsters but mortals corrupted?*

Strange and queer, the lot of them. Elf-touched, they were called in the old days…The mad, the fearful, the faithful. Those who dwell with one foot in the Underground and another in the world above.*

*     *     *

We were grotesques in the world above, too different, too odd, too talented, too much. 

S. Jae-Jones is a brilliant writer.

I will admit that I didn’t love the entirety of Wintersong––I loved the first half but thought the second was a little slow––but I always thought that S.Jae-Jones’ writing was beautiful and spectacular. Her writing shone in Shadowsong. The images she creates with her words are utterly beautiful, forming Liesl’s world for the reader in a very poetic way. It’s perfect for the setting of fairy-tales and goblins and music. S.Jae-Jones is someone who can create a world with her words that I just want to immerse myself in. Couple that with the fact that Shadowsong is a fantasy novel with a historical setting and I’m hooked.

Although Shadowsong is fiction, S. Jae-Jones gives her readers an author’s note at the beginning warning that not everything inside of this novel is so easily read as a fiction. Shadowsong deals with the very real subjects of self-harm, addiction, reckless behaviors, and thoughts of suicide. The author is open with her own diagnosis of bipolar disorder and how she gave it to Liesl. There were moments that were difficult to read because of how Liesl was struggling. I could relate to certain thoughts she had regarding creation of art and fear of failure and doubt. I thought it was wonderful that S. Jae-Jones was completely open about this at the beginning of her novel.

I waited for some mood or inspiration to strike me, for the desire to play to overtake me, but there was nothing. Solitude around me and silence within me. I had not dreamed once since we came to the city. The voice inside me––my voice––was gone. No ideas. No drive. No passion. My nights were quiet. Blank. The dullness was seeping into my days.*

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[Girls Made of Snow and Glass] Melissa Bashardoust

There are worse things in the world to be than delicate. If you’re delicate, it means no one has tried to break you.*

Girls Made of Snow and Glass is a unique retelling of the tale of Snow White, with a princess and a queen who struggle to find their place in the kingdom. Though based on Snow WhiteGirls Made of Snow and Glass doesn’t fall into the fantasy tropes of evil queen v. young princess, age v. beauty, or wondering who the princess is going to marry. In fact, I feel that there’s very little about Snow White that remains in this debut novel, other than the queen and the princess element.  It truly feels like its own story.

“It was only the dead mothers who were perfect–the living ones were messy and unpredictable and selfish.*”

The main conflict of the novel does set up Mina–the Queen from the South–and Lynet–the princess who is soon to come of age–against each other, but not in the way that I expected. Girls Made of Snow and Glass puts their relationship at centerstage and explores how it has flourished and changed over the years. For Lynet, Mina has been the only mother she has known. Her own died when she was too young to remember, so when Mina enters her life–first as a friend and then as a mother–it fills a hole in her life. For Mina, Lynet has always been the one who will take over her position one day–so she tries to keep her heart from loving the girl.

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[Shimmer and Burn] Mary Taranta

Even the damned get a choice, or at least the illusion of one. I’m proof enough of that.*

Shimmer and Burn‘s beautiful cover caught my eye when I was requesting ARCs a few months ago, and I’ve only just finished it now.  A debut novel from Mary Taranta, Shimmer and Burn takes readers across Avinea as Faris travels with a tyrannical princess, one who will not hesitate to hurt Faris or threaten the sister Faris left behind. If Faris wants to survive and save her sister, she must listen to the whims of a princess who doesn’t think about consequences. They may be traveling companions but they both have their own end goals.

I really enjoy books that put characters who are essentially opposites together. It instantly sets up tension between them and the reader, which allows for events to unfold differently than if everyone was working together. Faris and Bryn are like that. Faris’ mother died when she was young and she was left to raise her younger sister Cadence in the slums of Brindaigel. The only time she feels powerful is when she’s fighting in the fighting pits. Bryn is the opposite, with everything that she could ever want–but she still wants more. When Bryn decides that she wants to be more than the princess of Brindaigel, Faris realizes that she has an opportunity to save her sister.

Naturally, it’s not as simple as that. Faris’ naivety and moments of clarity were a little frustrating at times, but despite that I really enjoyed her character. I liked that she fought–literally–for things in her life and that she wasn’t a weak person. She wasn’t normally involved in political machinations, but when she found herself in the middle of one she proved that she could handle it. I enjoyed reading how–despite the fact that she didn’t have a political background–she even found ways to gain supporters even as Bryn was controlling her with the spell that connected them. Faris isn’t a strong character. Nor is she a weak character. She had moments of both, mostly centered around her sister, and I thought it was really well done. I enjoyed reading how she was so conflicted with the situations she found herself in. She really had to pull herself out of darkness at times, which made her more unique than the standard heroine who just struggles.

I killed a man to save my sister, trading virtue for vice, compassion for selfishness. There’s no going back from that kind of imbalance, and unless I harden myself into iron, the sacrifice will be for nothing.*

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[First We Were IV] Alexandra Sirowy

The Order, its power, it’s a high. I feel it. But it’s also like this shadow I keep seeing out of the corner of my eye. I turn my head and it’s gone. It’s there. Dark. Waiting.*

It’s senior year, and Izzie, Harry, Graham, and Viv are the center of their universe. Self-made outcasts, they love each other fiercely and defiantly, ignoring the insults of their classmates. As the year begins, fear that their friendship will disintegrate after they go their separate ways begins to burn through Izzie. On a whim, she suggests that they start a secret society to stay together–no matter what. When the other three agree, they draft a secret society modeled after the ones they determine to be great. The Order of IV becomes their way to get back at their classmates and their small town, righting what they perceive to be injustices and doing it anonymously. There’s a certain power to invisibility, and they relish in how they can control it. When their rebellions are noticed by other classmates, the four of them realize that their power extends even further than they thought. Power is all-consuming. And it can get away from you.

Never lie.
Never tell.
Love each other.

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[The Disappearances] Emily Bain Murphy

 

The Disappearances is a magical-realism, historical novel rich in character and story. The novel primarily follows Aila, whose life has been uprooted following the death of her mother and the deployment of her father. At some point I had forgotten that this was also a historical novel, so that gave it a nice unexpected flavor when I first started reading it. The Disappearances is about a set of three towns that have been struck by strange Disappearances that no one can explain. With a focus on Sterling, the town that Aila’s mother grew up in, The Disappearances probes the events of the past: possible Catalysts, what has disappeared, and how they’ve unlocked some of the secrets of Sterling. When Aila and her brother arrive it’s like the past has come to Sterling; Aila’s remarkable likeness to her mother, Juliet, the only person who escaped Sterling, sets the townspeople on edge. With the next Disappearance coming up, Aila strives to clear her family’s name by discovering where the Disappearances came from. But there are those who may not want the Disappearances to stop.

“We call them the Disappearances.”*

‘The Disappearance affected everyone, young and old, and every thing: fruits and flowers, perfumes and shampoos–even those things that make people sentimental, like the smell of a child’s hair, or scents linked to important memories.’* 

Disappearances. Catalysts. A mystery that has affected Sterling since 1907, with something new disappearing every seven years. It’s something small, something mundane that you don’t think about until it’s gone: the smell of baking bread and flowers, your reflection in mirrors or lakes, the stars. It’s only when it’s gone that you realize what you’ve lost. With the Disappearances affecting everyone for most of their lives or since birth, living with them has become the norm. The townspeople have adopted rules regarding outsiders and the Disappearances, so when Aila and her brother come to live in Sterling with an old friend of their mother’s and her family, it causes problems within a community where tensions are already high. Their mother is called a Catalyst, a witch, and other things,  and it falls to Aila and her brother to deal with the accusations of the townspeople. Aila knows that the only way to clear her mother’s name is to discover the truth about the Disappearances. Continue reading