[Shadow Run: Kaitan Chronicles I] AdriAnne Strickland and Michael Miller


Shadow Run has been touted as Firefly meets Dune, a space opera that should draw fans of both. The Firefly tease was part of the reason why I requested an ARC of Shadow Run in the first place. Shadow Run had action and adventure, a touch of romance, and the looming threat of an increasingly powerful bad guy. I didn’t find it as episodic as Firefly, but Shadow Run functions as a nice stand-alone space opera novel, with a potential to continue the series.

One of my favorite parts of Shadow Run, and other space opera stories is the world. When done well, they can be rich and immersive. I feel that way about Shadow Run, although I still wish it had gone into more detail. There was plenty of detail to show the world to the reader, but I still wanted more. I really enjoyed reading about it. The few planets that were visited by the characters were described in ways that allowed me to really visualize the setting. When the world isn’t familiar or created entirely by an author, those details must be there. A reader doesn’t know what living on another planet will be like, so an author has to fully immerse them in it.

Unusual Planet wallpapers and images - wallpapers, pictures, photos

The thing that really cinched the world-building for me were the differences between Nev and Qole’s planets. The weapons and clothing differs, the cities on Nev’s planet are unbelievable to Qole who is used to smaller buildings, and the characteristics of the people are extremely different. Qole’s culture shock is believable and expected.

This was helped along by the two viewpoints. Readers are shown both characters out of their element, but Nev’s adaptability is a little better than Qole’s. Although he’s always had everything, he was able to adjust to a lesser lifestyle rather quickly. In contrast, I loved reading Qole’s reactions to the high-fashion and careless lifestyles of the people around her. I feel like their voices–and their speaking patterns–were very clear.

While I have a clear picture of both Qole and Nev, I don’t feel the same about the secondary characters. They’re delegated into roles: Strong-arm, hacker, brother, androgynous member of the crew. I didn’t mind the first person narration because I feel that it showcased the differences between Qole and Nev, but it didn’t help with knowing other characters. I feel that there was a bit of a disconnect between the reader and the world because of the first-person narration; I was in Nev’s head to understand his world, then suddenly in Qole’s–and part of her point-of-view was her trying to come to terms with what Nev had said or revealed. It was a lot of back and forth and I feel like some of the action was lost in it.

However, I did have a favorite secondary character. Basra. I want to know more about him. He seems to be quite a chameleon and even at the end of the novel, still has his secrets. I liked that he actually had a backstory that was more explored (i.e.: shown) than that of Eton’s and Telu’s, who I feel were only marginally explained. I want to know Basra’s history. Story about that, please.

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Break time! A review for [A Murder in Time] by Julie McElwain

While I primarily read and review young adult novels, I do occasionally take a break and read adult fiction novels. I’ve decided that I’ll sometimes post about them here, especially if they’re recently released like this one. A Murder in Time was released this past April.


I absolutely adore this cover. So simplistic yet beautiful.

Kendra Donovan is a woman who has focused on her career at the FBI–rising through the ranks as one of the best profilers, she’s on track to being one of the most successful agents. When a mission goes all kinds of wrong, Kendra switches that focus to justice and goes after the man who orchestrated the events of that botched mission. Her private mission is cut short when she is threatened by an assassin herself. Her flight leads her into the secret passageways of the castle, and when she comes out, she finds herself in the same place–but not the same time.

The strengths of this novel lie in the chapters where Kendra is in the past. They’re more vivid and interesting as she navigates living–and keeping the fact that she’s a time-traveler a secret–in a world where women were considered the softer sex. For the gentry of the Regency era, a woman like Kendra is something they’re not used to. She’s brash, speaks her opinion, and doesn’t stick to the conventions of the time. At first it causes a little bit of tension in the house, but as she continues to prove herself, they gradually accept–to them–her eccentricities.

Eventually Kendra believes that her slip into the past was not random; when a young girl is found murdered on the estate, she suddenly finds that she has a reason to be in 1815. Kendra has to go back to the basics of solving a crime because she’s far ahead of the time when DNA and fingerprinting has become the norm. She realizes that she needs to depend on the people around her to help her solve the crime–and that even though they may not have the technology, they certainly have the skills.

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[As Red as Blood] Salla Simukka


A retelling of Snow White presented as a thriller in the winter of Finland, this novel casts familiar heroes and villains into contemporary roles. In As Red as Blood, there are things a bit more dangerous than a jealous Queen. A story of betrayal and secrets both past and present, it’s full of mysteries that keeps you turning the pages.

Lumikki knows how to be invisible. She’s used it as a way to survive her past and her present in an art school full of people trying to stand out. It’s a little harder than it seems when your parents name you after Snow White. Applying to an art school far away from her parents and hometown is Lumikki’s escape: from her hometown, from the tension with origins unknown, and from her past. She’s trying to find a place where she feels at home while simultaneously avoiding that feeling. She’s succeeded at blending in, but a decision to take a call drags her into a situation that is incredibly dangerous. Suddenly, three of her classmates, Tuukka, Elisa, and Kaspar, who found bloodied money, are looking toward her for help in finding the answers. And Lumikki can’t find it in herself to refuse, even as she knows the risk they’re all in.

Lumikki is the strongest character in As Red as Blood. There is a mystery surrounding her that you want to know the answer to even as the mystery of the money continues to grow. I couldn’t decide which one I was more interested in. She lives simply, preferring a Spartan apartment in lieu of a well-furnished one. Studying and graduating are more important to her than the social dance that the rest of her classmates perform. Lumikki is also curious and empathetic, so when Elisa asks her for help, she can’t refuse. The moments when she’s realizing there’s more to her classmates than meets the eye are a nice change from when she’s ridiculing them for being too beautiful and / or fake. Lumikki is flawed, and she knows it. In contrast, the rest of the characters aren’t as well-fleshed out. We get a little bit of characterization for Elisa when Lumikki interacts with her, but it pales in comparison to Lumikki’s characterization. I felt that there could have been a bit more done for the “bad guys” of the story. I really love when authors give us a villain’s reasoning. When it’s really good, you can truly understand and, to a point, emphasize with why they act the way they do. Unfortunately, I didn’t get that feeling with As Red as Blood. They were just bad because money was involved and it corrupts. As Red as Blood, although written in multiple perspectives, is really about Lumikki. The other perspectives just provide a short break from the protagonist’s thoughts and actions.

As Red as Blood had some beautiful writing. Of course, I read the translated version of the novel, but you can really tell that a translation is good when the words are not stilted in anyway. It was natural without taking away from the original intentions of Salla Simukka. The writing does a wonderful job of transporting me to Finland, a place I’ve never been. The dialogue is at times serious and other times is clever. It is intelligent and doesn’t fall into the trap of chat-speak or acronyms, even though the main character is in high school and observing her classmates. There are times of action when the dialogue runs together and you don’t necessarily know who the speaker is. It gives confusion to what is going on, so the reader isn’t always in the know.

Lumikki isn’t always a reliable character either. As she tries to solve where the cash came from, she also keeps her past hidden. It comes out only in her dreams, which she tries to immediately forget. As Red as Blood becomes equally about the mystery of her past as it does about the cash. She has convinced herself that she’s learned to manage her fear, and now she must do it again. This time, however, will it be enough?

As Red as Blood was a quick read and I enjoyed the mentions of fairy tales. It was a little bit of a tame thriller compared to the ones in the adult fiction genre, but that is more the fault that this is a young adult novel more than the author’s. I’m definitely going to check out more of the English translated works of Salla Simukka, including the rest of these. That said, this novel can function as a stand-alone. The events that transpire within its pages conclude nicely.

4 stars.

I received a read-to-review uncorrected proof from NetGalley in exchange for an honest review.