[When Dimple Met Rishi] Sandhya Menon

I love this cover! It makes me happy.

When Dimple Met Rishi is a novel about a girl meeting a boy. Or a boy meeting a girl, depending on whose perspective you’re currently reading. The novel is split between the perspectives of Dimple and Rishi, two people who couldn’t be more different. It’s a perfect formula for a young adult romance novel. Dimple is an aspiring web developer whose dream is to code apps that will change peoples’ lives; Rishi is hoping to meet his betrothed before heading off to college across the country. Their parents set up a meeting at Insomnia Con–a convention where the number one prize is having your app funded and put out there. For Dimple, it’s a dream come true; for Rishi, it’s a way to meet his future wife, to see if the match is meant to be. There’s only one problem: Dimple has no idea.

The premise of this book is really adorable. I liked that Dimple and Rishi switched the typical young adult roles. Don’t get me wrong, I love contemporary romances (or romance in fantasy or…), but it was really cool to see that Dimple was focused on her future instead of finding a boyfriend/husband. She wants to have a career before she gets married–and she doesn’t even know if marriage is in her future. Menon wove the pressures of what her parents wanted v. what Dimple wanted through the pages of this novel in a way that had Dimple challenging her preconceived notions about relationships.

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[The Hate U Give] Angie Thomas

I’ve seen it happen over and over again: a black person gets killed just for being black, and all hell breaks loose. I’ve Tweeted RIP hashtags, reblogged pictures on Tumblr, and signed every petition out there. I always said that if I saw it happen to somebody, I would have the loudest voice, making sure the world knew what went down.
Now I am that person, and I’m too afraid to speak.

So many good things have been said about The Hate U Give that I don’t think I can add much more to it. I also am still processing my emotions regarding this book. It definitely–for me at least–requires a second read. I do think that if you didn’t get to this book in 2017, it should definitely be on your list for 2018.

Once upon a time there was a hazel-eyed boy with dimples. I called him Khalil. The world called him a thug.

The Hate U Give has characters that are fictional, but I couldn’t help feeling the very real elements of it. Starr is a sixteen year old girl who sees the fatal shooting of her childhood friend. As the days pass, the media begins to portray Khalil as a thug, a gangbanger, a drug dealer, merely because he was black. As his death becomes a headline, Starr has to figure out where she stands in it. As the only witness, she wrestles with what she should–or shouldn’t–say. Her struggle as she tries to decide what is best for herself, her family, and for Khalil is wonderfully done. Starr’s voice was both strong and fragile as she began to tell her story of what happened that night.

Brave doesn’t mean you’re not scared, Starr. It means you go on even though you’re scared. And you’re doing that.

This is an important book to read when we live in a world where unarmed men and women are shot merely for the color of their skin. Where police brutality and officers involved in shootings are not prosecuted. Where people have to protest for the right to live a life free of fear. The Hate U Give draws on these events and the Black Lives Matter movement. This novel could easily be a non-fiction piece. I think that’s what makes it such an intense read. Because as much as there’s moments of humor in it, Starr’s story and Khalil’s death are all two real.

The Hate U Give was a fast read. I thought that Thomas did a good job of blending reality with fiction. Of taking a situation that exists in the real world and injecting it with humor. A tragedy does not mean that you stop living. You keep living in spite of it.

I will definitely keep Angie Thomas on my authors to watch list. I recommend The Hate U Give for everyone, regardless of what you normally read. Pick it up here!

5 stars.

The Hate U Give was published in February 2017.

[Girls Made of Snow and Glass] Melissa Bashardoust

There are worse things in the world to be than delicate. If you’re delicate, it means no one has tried to break you.*

Girls Made of Snow and Glass is a unique retelling of the tale of Snow White, with a princess and a queen who struggle to find their place in the kingdom. Though based on Snow WhiteGirls Made of Snow and Glass doesn’t fall into the fantasy tropes of evil queen v. young princess, age v. beauty, or wondering who the princess is going to marry. In fact, I feel that there’s very little about Snow White that remains in this debut novel, other than the queen and the princess element.  It truly feels like its own story.

“It was only the dead mothers who were perfect–the living ones were messy and unpredictable and selfish.*”

The main conflict of the novel does set up Mina–the Queen from the South–and Lynet–the princess who is soon to come of age–against each other, but not in the way that I expected. Girls Made of Snow and Glass puts their relationship at centerstage and explores how it has flourished and changed over the years. For Lynet, Mina has been the only mother she has known. Her own died when she was too young to remember, so when Mina enters her life–first as a friend and then as a mother–it fills a hole in her life. For Mina, Lynet has always been the one who will take over her position one day–so she tries to keep her heart from loving the girl.

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[Shimmer and Burn] Mary Taranta

Even the damned get a choice, or at least the illusion of one. I’m proof enough of that.*

Shimmer and Burn‘s beautiful cover caught my eye when I was requesting ARCs a few months ago, and I’ve only just finished it now.  A debut novel from Mary Taranta, Shimmer and Burn takes readers across Avinea as Faris travels with a tyrannical princess, one who will not hesitate to hurt Faris or threaten the sister Faris left behind. If Faris wants to survive and save her sister, she must listen to the whims of a princess who doesn’t think about consequences. They may be traveling companions but they both have their own end goals.

I really enjoy books that put characters who are essentially opposites together. It instantly sets up tension between them and the reader, which allows for events to unfold differently than if everyone was working together. Faris and Bryn are like that. Faris’ mother died when she was young and she was left to raise her younger sister Cadence in the slums of Brindaigel. The only time she feels powerful is when she’s fighting in the fighting pits. Bryn is the opposite, with everything that she could ever want–but she still wants more. When Bryn decides that she wants to be more than the princess of Brindaigel, Faris realizes that she has an opportunity to save her sister.

Naturally, it’s not as simple as that. Faris’ naivety and moments of clarity were a little frustrating at times, but despite that I really enjoyed her character. I liked that she fought–literally–for things in her life and that she wasn’t a weak person. She wasn’t normally involved in political machinations, but when she found herself in the middle of one she proved that she could handle it. I enjoyed reading how–despite the fact that she didn’t have a political background–she even found ways to gain supporters even as Bryn was controlling her with the spell that connected them. Faris isn’t a strong character. Nor is she a weak character. She had moments of both, mostly centered around her sister, and I thought it was really well done. I enjoyed reading how she was so conflicted with the situations she found herself in. She really had to pull herself out of darkness at times, which made her more unique than the standard heroine who just struggles.

I killed a man to save my sister, trading virtue for vice, compassion for selfishness. There’s no going back from that kind of imbalance, and unless I harden myself into iron, the sacrifice will be for nothing.*

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[The Disappearances] Emily Bain Murphy


The Disappearances is a magical-realism, historical novel rich in character and story. The novel primarily follows Aila, whose life has been uprooted following the death of her mother and the deployment of her father. At some point I had forgotten that this was also a historical novel, so that gave it a nice unexpected flavor when I first started reading it. The Disappearances is about a set of three towns that have been struck by strange Disappearances that no one can explain. With a focus on Sterling, the town that Aila’s mother grew up in, The Disappearances probes the events of the past: possible Catalysts, what has disappeared, and how they’ve unlocked some of the secrets of Sterling. When Aila and her brother arrive it’s like the past has come to Sterling; Aila’s remarkable likeness to her mother, Juliet, the only person who escaped Sterling, sets the townspeople on edge. With the next Disappearance coming up, Aila strives to clear her family’s name by discovering where the Disappearances came from. But there are those who may not want the Disappearances to stop.

“We call them the Disappearances.”*

‘The Disappearance affected everyone, young and old, and every thing: fruits and flowers, perfumes and shampoos–even those things that make people sentimental, like the smell of a child’s hair, or scents linked to important memories.’* 

Disappearances. Catalysts. A mystery that has affected Sterling since 1907, with something new disappearing every seven years. It’s something small, something mundane that you don’t think about until it’s gone: the smell of baking bread and flowers, your reflection in mirrors or lakes, the stars. It’s only when it’s gone that you realize what you’ve lost. With the Disappearances affecting everyone for most of their lives or since birth, living with them has become the norm. The townspeople have adopted rules regarding outsiders and the Disappearances, so when Aila and her brother come to live in Sterling with an old friend of their mother’s and her family, it causes problems within a community where tensions are already high. Their mother is called a Catalyst, a witch, and other things,  and it falls to Aila and her brother to deal with the accusations of the townspeople. Aila knows that the only way to clear her mother’s name is to discover the truth about the Disappearances. Continue reading


[The Epic Crush of Genie Lo] F.C. Yee

Chinese folklore, action, and the threat of a demon invasion. That is what The Epic Crush of Genie Lo is made of. Epic Crush is the debut novel from F.C. Yee, and combines high school classes and college prep with hunting down demons and learning how to control sudden powers. The gods, goddesses, and demons from Chinese mythology were unfamiliar, but they were integrated into a modern setting in a way that introduced them to a reader who has little to no knowledge of them.

I know nothing about Chinese mythology, so this was my first introduction to the gods, goddesses, and demons. It worked for me and I enjoyed reading a book that also taught me something. Ultimately, I’m not sure if learning about folklore from a YA book is the best because authors sometimes pick and choose, but it was interesting enough for me! I enjoyed that both Chinese names and translated names were used. It was a good choice because had all traditional names been used, I think it would have had the tendency to run together, but if all names were translated, it would have given the book a childishness that the book doesn’t deserve.

I really like books that incorporate an older, mythological setting and characters into a modern one. I like the urban fantasy aspect that it creates for books. While I felt that the modern setting was a bit too vague and relied on the reader to supply what they thought the Bay area looked like, I was able to imagine the world of the gods that existed alongside the modern one through the descriptions given to me in the stories Genie learned about. So while I felt that the normal setting was a bit bland and unrealized, the mythology behind it made it much more interesting.

The main character in Epic Crush is Genie, a girl prepping for college by studying hard, going to an adviser, and generally doing any volunteer activities that will help her get into a college far, far away from her hometown. That’s her main goal. She’s kind of thrown for a loop when she’s suddenly told that she has powers, but they’re not exactly the standard ones. There’s a lot of adjusting, and then there’s even more adjusting when something is revealed that makes her question her whole identity. I thought it was an interesting take on the powers trope. It isn’t something I’ve read before, so I was pleasantly surprised by it.

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[Caraval] Stephanie Garber

Once people leave this isle, the things they’ve done here don’t just unhappen, no matter how much they wish them undone.

Well, I’m glad that I didn’t pursue the idea of buying a UK edition. While Caraval did suffer from the fact that I went through a major reading slump while reading it, it wasn’t just that. I feel like Caraval was far too long for a story where very few things happened.  We were promised a carnival-esque setting, but I feel like I didn’t see much of it. The story primarily focused on Scarlett and Julian instead of the scavenger hunt / performance of Caraval.

Anytime I heard anything about Caraval, I heard about carnivals and circuses.  The people who participate in Caraval are supposed to solve a mystery–the disappearance of Scarlett’s sister–by following a set of clues like a scavenger hunt. It was something that sounded so interesting–a carnival steeped in a fantasy world. At the beginning of the novel, we’re introduced to several characters who are participating in this scavenger hunt, so it seems like Scarlett will have to compete against people who only want the prize, where she has a lot more at stake because it’s her sister. However, as the novel progresses, the only characters we consistently spend time with are Scarlett and Julian. The other characters are somewhere else, only showing up when they need to give hints to Scarlett or reveal that another character is villainous. There’s been other novels where I’ve complained about this before, but Caraval was the absolute worst that I’ve read to date. It basically was Scarlett and Julian wandering around Caraval and happening upon clues. I was really disappointed that the novel ended up focusing on the romance (instant-love, by the way, no matter how much Scarlett feels it’s meant to be and complains about her sister doing the same thing).

I wanted to know more about the tattooed young man and the woman who records all of Caraval–both past and present–in her book. There were shops where you answered truthfully or lost a day of your life–in the sense that you literally die for a day and then wake up the next. Those little bits of fantasy elements that were thrown in were so fascinating that had they been focused on and expanded, I think I would have liked Caraval more than I did. Despite it being about a performance, we didn’t see much of any performance. It had so much potential that wasn’t met, despite the fact that it was heavily marketed as a fantasy-circus novel. I think that Caraval is a prime example of book marketing done right–in the sense that many readers, myself included, were eagerly looking forward to getting our hands on this book. I feel so disappointed that it disappointed me.

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