[Siege and Storm: The Grisha Trilogy II] Leigh Bardugo

Anything worth doing always starts as a bad idea.

I came off of reading Shadow and Bone, the first novel, feeling decidedly unimpressed. It was a good novel; I enjoyed reading it, but it wasn’t quite something I was raving about despite the impressive amount of love there is for it. Siege and Storm is so much better. I think it helps that the novel is longer. Bardugo is able to explore her world a bit more, showing readers the corners that hadn’t yet been introduced fully.

Keith Thompson is one of my favorite illustrators. I didn’t realize that he was the one who created the maps! So talented.

After defeating the Darkling on the Fold, Alina has been running and hiding. She and Mal have been trying to make a life for themselves in a strange land, but as the days pass, it becomes more and more difficult for Alina to hide who she is. When she discovers that the Darkling survived against impossible odds and is now more powerful than ever, Alina realizes that she’s going to have to face her past and confront the Darkling and his allies.

Alina came into her power in the first book, which meant that she finally is a character I like in this second book. I found her pretty annoying in the first book, a standard heroine that whines about her powers (or lack of) while doing little to advance herself. Obviously that had changed toward the end of the novel, but I still wasn’t sure of her and the Grisha series. Now I’m pretty eager to finish the series.

 I am a soldier. I am the Sun Summoner. And I’m the only chance you have. 

One of the best things about Siege and Storm was how much Alina struggled. She had been told by the Darkling that Mal, an otkazat’sya–someone without powers–would never understand her and her power. As much as she tried to ignore his words, they stuck with her, barbs that keep pricking at her heart even as she gets closer to Mal. The resulting inner conflict that Alina goes through makes her a much better character. I felt far more invested in her this time around because I wanted to see how she would overcome–or succumb to–this inner darkness that seems to have been planted in her by the Darkling. As the book progresses, Alina realizes that she maybe can’t blame the Darkling for all of the negative thoughts, greed, and thirst for more that has grown in her. I loved that. I loved that she owned up to her feelings instead of blaming someone else for it. She has all of these pressures on her that are personal and political, and sometimes they become too much for her.

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[Emma in the Night] Wendy Walker

There are so many pieces to our story, pieces that, if taken away, might have changed the whole course of it. […] And…it took all of us, our flaws and our desires. My hunger for power, which I will get to next. It was all in it, in our story, like the ingredients to a complicated recipe.*

Daughters of Mothers with Narcissism: Can the Cycle Be Broken?*

That is the name of the fictional paper that Emma in the Night keeps going back to explore: Can daughters escape a narcissistic cycle when it’s the only thing they’ve known their whole life? Three years ago, Cass and Emma Tanner disappeared. When Cass comes back this cold case reopens, and with it comes things that Dr. Abby Winter tried so hard to forget. It was the case that stuck with her and now she has a chance to solve what happened the night that Emma and Cass disappeared. Something didn’t add up to Abby then, and it doesn’t add up now. As Cass weaves a story of betrayal, kidnapping, and lost time, Abby has to untangle the truth from Cass’ words. Her return doesn’t mean it’s over.

I think there are two types of people. Ones who have a scream inside them and ones who don’t. People who have a scream are too angry or too sad or laugh too hard, swear too much, use drugs or never sit still. Sometimes they sing at the top of their lungs with the windows rolled down. I don’t think people are born with it. I think other people put it inside you with the things they do to you, or say to you, or the things you see them do or say to other people. And I don’t think you can get rid of it. If you don’t have a scream, you can’t understand.*

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[The Epic Crush of Genie Lo] F.C. Yee

Chinese folklore, action, and the threat of a demon invasion. That is what The Epic Crush of Genie Lo is made of. Epic Crush is the debut novel from F.C. Yee, and combines high school classes and college prep with hunting down demons and learning how to control sudden powers. The gods, goddesses, and demons from Chinese mythology were unfamiliar, but they were integrated into a modern setting in a way that introduced them to a reader who has little to no knowledge of them.

I know nothing about Chinese mythology, so this was my first introduction to the gods, goddesses, and demons. It worked for me and I enjoyed reading a book that also taught me something. Ultimately, I’m not sure if learning about folklore from a YA book is the best because authors sometimes pick and choose, but it was interesting enough for me! I enjoyed that both Chinese names and translated names were used. It was a good choice because had all traditional names been used, I think it would have had the tendency to run together, but if all names were translated, it would have given the book a childishness that the book doesn’t deserve.

I really like books that incorporate an older, mythological setting and characters into a modern one. I like the urban fantasy aspect that it creates for books. While I felt that the modern setting was a bit too vague and relied on the reader to supply what they thought the Bay area looked like, I was able to imagine the world of the gods that existed alongside the modern one through the descriptions given to me in the stories Genie learned about. So while I felt that the normal setting was a bit bland and unrealized, the mythology behind it made it much more interesting.

The main character in Epic Crush is Genie, a girl prepping for college by studying hard, going to an adviser, and generally doing any volunteer activities that will help her get into a college far, far away from her hometown. That’s her main goal. She’s kind of thrown for a loop when she’s suddenly told that she has powers, but they’re not exactly the standard ones. There’s a lot of adjusting, and then there’s even more adjusting when something is revealed that makes her question her whole identity. I thought it was an interesting take on the powers trope. It isn’t something I’ve read before, so I was pleasantly surprised by it.

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[Now I Rise: The Conqueror’s Saga II] Kiersten White

This review contains some minor spoilers for the first novel in The Conqueror’s Saga. This review is also long because I loved this book so much.

One of my minor complaints about And I Darken (the first in the series) was that it got a little long purely because there’s a lot of unfamiliar names, places, and events that I had to first get through in order to get to the story. That was not the case with the second novel. Now I Rise benefits from the world building that was done in the first novel and further expands on locations that had smaller parts in the first novel. It balances character growth with action, creating a thrilling story that had me questioning characters’ motives. It is a a great continuation of a series that is set in a historical context that is real, yet also genderbends a historical figure. It made me more excited about a series that I already loved.

Lada and Radu burst back onto the scene shortly after where And I Darken left them. Radu remains in the Ottoman Empire, and Lada is trying to regain what she believes is rightfully hers: Wallachia. They’ve taken different paths that are still connected to each other, but Radu uses gilded words and Lada uses cold steel. Mehmed remains, but Now I Rise quickly becomes about Lada and Radu. Mehmed takes on a role in the background but occasionally comes back to interact with our main characters. And even when he’s not physically there, both Radu and Lada often think about him. Sometimes he still affects how they act, but gradually that changes.

Shortly into the novel Radu is sent to Constantinople to act as a spy for Mehmed. Although he has quite a bit of worries about going there, he follows Mehmed’s orders because he loves him. In the first novel, Radu learns how to use his skills to further Mehmed and through close proximity, himself. He is very charismatic, and it was interesting to read how he grew into it in And I Darken. This novel finds Radu questioning much of what he believes and who he believes in. Radu is semi-stranded in Constantinople for months. At first, he eagerly awaits a war that he knows is coming, playing his role as defector to the Christians as he secretly plots to bring Constantinople down. The longer he stays in Constantinople, however,  the more he questions the motives of Mehmed and what he’s doing.

He had imagined Constantinople, had wanted it for Mehmed. It had been simple and straightforward. But now he knew the true cost of things, the murky horrors of the distance between wanting something and getting it.*

Radu is becoming a part of Constantinople and being accepted by people there, but he knows that he ultimately will betray them. It begins to wear on him. Reading this expanded his character in a new direction that was so raw I was heartbroken for him. While this series does tend to focus more on Lada as the female Vlad, I feel that Radu has the greater emotional response in Now I Rise.

Radu had seen what it took to be great, and he never again wanted to be part of something bigger than himself.*

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[Aftercare Instructions] Bonnie Pipkin

Ever since the death of her father, Genesis has had to take on more than the average seventeen-about-to-turn-eighteen girl should have to. When her mother fell into a depression after her father’s death, Genesis took on the responsibility of taking care of her family. She can’t just leave her mother to her grief. But then Genesis gets pregnant. It’s not how she expected her year to go–pregnancy in high school was never her plan. She and her boyfriend, Peter, decide that getting an abortion is the only option for them because they’re seventeen and not ready for a child. After the procedure, Genesis expects to find her boyfriend waiting for her in the lobby of the Planned Parenthood. Instead she discovers that Peter abandoned her there. She’s alone. It’s something that she hasn’t really addressed before.

The girl and her escort have the same wild hair and deep-set eyes. This has to be her mother, and I try to imagine my own mother helping me out, escorting me. But I can’t conjure the faintest image of this. Not anymore.*

What follows is a heartfelt exploration of first loves, friendship, and understanding that your–and others’–actions may not be so black and white.

While Aftercare Instructions puts an abortion at the forefront of the novel–and indeed the opening scene takes place at the clinic–it’s very decisively after: it focuses on what Genesis is going through after the abortion and after the realization that her boyfriend has abandoned her. She needs to learn how to move on from both events and figure out how they’re going to change her. Genesis doesn’t always address everything, but since the chapter titles deal with aftercare and details about what your body goes through after an abortion, the reader is constantly reminded of where the novel started and what Genesis will eventually have to come to terms with.

I thought that Bonnie Pipkin did a good job of showing Genesis’ processing; she goes through an array of emotions from betrayal, to second guessing, to wanting to forget, all while trying to hold herself and her family together. She’s very much a girl who thinks that she has to keep it to herself to protect others, even her best friend. I think there’s an important release when she’s able to confide in others. I also think it’s equally important that she wasn’t shamed for having an abortion. Instead we were shown female relationships where there was only concern.

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[Patchwork] Karsten Knight

Patchwork is said to be like several popular young adult novels, which is something that often bothers me. I feel that it can set up the book to be a failure if it doesn’t meet my expectations–made higher by people touting it as the next Game of Thrones or Gone Girl. It may perhaps be lucky that I haven’t read any of the books that this one is said to be similar to, because for once I don’t have that complaint. In Patchwork, Karsten Knight takes the myth of the Phoenix and puts it in a modern setting, blending past and present in a time-traveling book that sends Renata Lake into her memories for a chance to change a moment. Her power comes to the surface after an attack at prom kills all of her friends and classmates. Suddenly she has a new power that she doesn’t understand. What she doesn’t have is time–Renata must try to figure out how to use her powers to discover who is after her and her friends before it’s too late.

I really enjoyed the world of Patchwork. Knight created a world based on Renata’s memories of the past, knitting together her reality and the mythos of Patchwork. I hesitate to say more because I don’t want to have heavy spoilers in my review. Patchwork functioned as a way for Renata to time-travel, allowing her to walk through memories to find a point in her past that she could try to change, but she can never go back to the original point where her powers manifested: the attack at prom. She can continue going backward to try to save her friends and discover the assassin, but it erases her future. She has to make new memories from whatever point she stops at. Fortunately, she remembers everything. Unfortunately, no one else does. I think that everyone wishes at some point in their life that they could go back and change something, but they maybe don’t consider what would happen if they could change a moment but then they’re stuck and have to start over from there. I thought that Knight did a great job of portraying this by using Patchwork and Renata’s reaction to it. I’ve read a few time-traveling books before, but I thought that this was a unique way to portray it.

The one very slight problem I had with Patchwork was the blending of Greek and what I see as Egyptian mythology, namely the choice of Osiris. There’s an Amaranthine Society, the Minotaurs, and Daedalus, which are decidedly Greek. I love that Greek mythology was woven throughout the story because it’s always been something I’m interested in. The inclusion of Osiris, an Egyptian god of the afterlife, really confused me. I did some research (i.e. read the Osiris myth on wikipedia), and apparently the myth of Osiris traveled to Greece with the worship of another goddess, Isis. The Osiris myth was also written about, where Greek writers viewed the Osiris myth with a Greek philosophy lens. So it does technically fit with the Greek mythology aspect of Patchwork. Even still, I would argue that Osiris is well-known as an Egyptian god with most people being unaware of the connection to Greece. Ultimately, my only quibble is that I wish Knight had chosen another name.

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[I Hunt Killers: Jasper Dent I] Barry Lyga

I Hunt Killers is a book that really focuses on the nature vs nurture debate when it comes serial killers. Are killers born? Or are they made? Jasper Dent, Jazz to those in the know, has both boxes ticked: his father is the country’s most notorious serial killer and he made Jazz help–perhaps more–but some of Jazz’s memories are fuzzy. When a killer seems to be following in the footsteps of Jazz’s father, suspicion naturally falls on Jazz. He knows that he didn’t do it, so he decides to use his unique knowledge to try and bring the true killer into the light. It brings him closer to his past than he likes.

I Hunt Killers is narrated by Jazz, who is a likable-unlikable character. He’s really calculating, and I spent most of the book being unsettled with how he sees things, particularly people. His dad was a definite psychopath who manipulated Jasper throughout his life–to the point that Jazz isn’t one hundred percent sure that he hasn’t done anything–and he’s the one that Jasper spent his childhood with. So it’s perhaps natural, then, that Jasper also knows how to be charming and how to use that charm to get what he wants from people. Being well aware of this doesn’t help him. There are times when he uses this ability to his advantage, but the whole time he’s wondering if that’s the first step on the path to making him Killer Dent 2.0. Some would say that it’s inevitable that Jasper becomes the next serial killer out of Lobo’s Nod.

I really liked that he was really struggling throughout the whole book with this concept. I don’t think that Jazz is a bad person, but I think that if the other characters knew how he thought about certain things, they’d be a little concerned. This goes beyond jokingly asking if someone needs help to hide the body. Jazz knows. Jazz could. He is constantly battling the fear that he could become his dad.  However, it does put him in a unique position to help the cops catch the killer. There’s only one problem: he’s a teenager.

In a lot of novels, the adults don’t exist. It focuses on the protagonist teenager who solves the crime. I really appreciated that the adults existed in this book. Granted, Jazz is still extremely involved because he is the main character, but it doesn’t put everything on him. Barry Lyga takes some of it away from him because teenagers can’t always go sneaking around crime scenes or morgues. I thought that there was a nice balance between Jazz doing things and the adults doing their jobs. It was realistic but not in a boring way.

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