[This Savage Song: Monsters of Verity I] Victoria Schwab

I’m going to be honest: I’m glad I read this author’s adult fiction works before I read her young adult fiction. It’s not to say that I didn’t enjoy This Savage Song, but it was considerably tamer than I expected, especially coming off of the Shades of Magic series. I expected to be more captivated by the characters and world than I ultimately was, which is okay. It just means that I enjoy V.E. Schwab’s grittier and darker worlds, despite this one also having those qualities.

This Savage Song is a story of a divided city and the heirs that live inside of it. The divided city is reminiscent of Romeo and Juliet, but with a lot more monsters and no distracting qualities of romance. I LOVED that there was no romance in this novel. Too often the plot of dystopians get overtaken by the romantic ramblings of teenagers in love, but not so in this book. Kate and August were their own characters with their own agendas. When they were pushed together, they had to deal with the tension of technically being each others’ enemy on top of running for their lives. That made the book far more interesting than a romantic-dystopian novel.

It’s rare, I think, to read a dystopian novel that doesn’t have a romantic sub (or main) plot. That’s why This Savage Song was such a refreshing read. The plot didn’t focus on it, which allowed the world to be fleshed out more and the focus to be on everything happening instead of the two characters catching feelings. Their friendship grew tentatively and I loved seeing how their feelings about each other changed into an understanding that only they could create. There needs to be more great friendships in young adult literature that doesn’t become a relationship. I love reading those stories too, but there doesn’t always need to be a romance. I love that Schwab didn’t go the route that now seems the norm in young adult literature.

While I loved that, I didn’t find myself connecting to the characters as much as I expected. Kate wasn’t very relatable and I never really got why she wanted to return to the city, other than her desire to be near her father. He wasn’t someone that was there for her, so that being her main drive was odd to me. She presents herself as a badass, but really she has the hard exterior created to hide her softer feelings inside. I couldn’t really figure out what her goals were exactly, which made her feel very one dimensional. I’m hoping I’ll like her personality more in the next book, because she had grown on my slightly by the end of This Savage Song.

August  is my favorite. Unlike Kate, I definitely related to his feelings of being lost and not knowing himself. He was a far more sympathetic character; the monster who doesn’t want to be a monster. I love reading takes on characters like this. August’s character arc is what made the book so interesting for me to read. I wanted to see what would happen to him more than I cared about Kate or the problems within the city. I am looking forward to reading where he goes in the next novel.

The world in This Savage Song is very well-written, as I expected of a Schwab book. It did take me a few chapters to get into the book, but once I did I found myself reading during any spare downtime I had. Schwab as a way of easing you into the world that doesn’t feel like it’s too heavy. The world is built through small moments as the characters go about the day, teasing you just enough to make you curious and hopeful that it’ll be explained later down the line. I loved her take on violence breeding literal monsters and the explanation for them. It seems like it could be just a step away. Schwab has a real world-building talent that I am both inspired by and jealous of. I can trust that she’s going to have an amazing world created in whatever book I pick up next.

I will be continuing this duology, and I definitely recommend it for readers who have enjoyed V.E. / Victoria Schwab books before. If you enjoy dystopians but not the romance that’s often included, I think you’ll enjoy this book. There’s a reason that readers keep coming back to Schwab books. They’re full of great characters that you both like and loathe, set in a world that is carefully created and feels like it could be just around the corner even with it’s fantastical elements.

3.5 stars.

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[Furyborn] Claire Legrand

The premise of Furyborn is the legend of two queens: one of light and one of blood. Legrand takes the legend of these two queens and sets them miles––and years––apart. As the story spans across centuries, the legend of the two queens becomes just that––a legend. But when a girl who can’t be injured comes along, people begin to believe that perhaps it’s not just a legend.

To start off, I think that the premise for this book is amazing. I love the idea of things that don’t seem connected at first, especially when they involve the falls of kingdoms and of powerful women who don’t downplay their talents. It’s something that I love seeing in books, because I feel like there’s a ton of female characters who write off their talents. This was not the case for Rielle and Eliana. They both know that they’re talented––one with the elements and one with knives––and they’re both really unapologetic about it. There need to be more women like this in fiction. Having the book focused on the two of them made it really enjoyable, and I liked how both of their perspectives were super different. Their lives were so different too and seeing that contrast showed more of the world than if they’d both come from the same background.

The worldbuilding in this novel was great! The world was easily my favorite part about this novel. It was really interesting to see how Legrand built up the world by subtly putting in information as Rielle was going through the elemental trials. It was just enough that I really wanted to know more––or perhaps I could read some prequels about the Saints?? please and thank you––without taking away from the rest of the story. This novel kind of has two different settings and worlds, too; even though both Rielle and Eliana technically exist in the same world, they exist a thousand years apart. That means that Rielle’s reality, the one that we’re shown with angels and magic, is not Eliana’s reality. In fact, so many years have passed that people don’t really believe that magic ever existed. They think that they’re just stories. I loved that we could see these two settings side by side because of the dual perspective. I also really appreciated that Legrand showed negatives and positives to both times and didn’t make one better than the other.

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Ten reasons why reading is the best

Why do I read books? Well…

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1.

You can escape into worlds more interesting than your own

2.

Magic

3.

Taking down horrible regimes alongside characters is cathartic

4.

Reliving the excitement of first love can happen more than once

5.

It’s fun to explore the idea of “What if…?”

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[Sky in the Deep] Adrienne Young

It was what we’d been taught our entire lives––vegr yfir fjor––honor above life. 

Sky in the Deep is a Viking inspired story with battles, betrayal, and the realization that your enemy isn’t as different from you as you thought. I really loved this one! I read it in the bulk of one day and then immediately wished I hadn’t because it was over.

Sky in the Deep takes starting in the action very literally. We find ourselves in the middle of a battle with Eelyn and her fighting partner, Mýra, readying themselves to charge at members of the Riki clan. They’re members of the Aska clan, and once every five years, they meet on the battlefield to avenge those of their tribe who fell in the years before. For Eelyn, this is her brother. She fights to avenge his death five years before, pushing down her own guilt about being unable to give him proper rites after the battle. When she meets him on the battlefield and he saves her life, people think that she’s been touched by Sigr, their God. Eelyn isn’t so sure. When she discovers that it wasn’t a spirit sent by her God, Eelyn is thrust into the world of her enemy.

I thought that the beginning of the story was strong because it was right in the action, but it also meant that I felt a little blindsided as a reader. I didn’t know much about the world, just that they were fighting. Initially it did put me off a bit because of how frantic it felt. Young dials it back by having Eelyn captured, which helped immensely. There’s still the feeling of being in the action, but it’s bubbling underneath the surface instead of being right there. I loved that. Young used this time to show the different cultures that are in the book, and I was able to get a clearer picture of the world. I love world building, and this novel was full of everything I like seeing when authors build new worlds: different cultures and ways of life; different religions and celebrations; lush settings. It was great!

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Ten books I want to read this spring

My spring TBR list consists of a variety of books that I really would like to get to, and soon! Some of them are books that I want to see what all the hype is about, others are ones that I’ve owned for far too long without reading them. All of them interested me in some way, of course! There’s a mix of books that have been out for years, months, and some that haven’t even come out yet.

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This book has one of the prettiest covers which caught my eye, but the story within sounds so interesting.

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This has been on my mind for a long time but I kept pushing it back. Now with the movie out I feel like I need to read it even more.

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I’m still on the fence for this one. The first was only okay, but it has such a huge fan base that I want to see what I’m missing. How I feel about this one will determine if I continue this series. I may just favor the Throne of Glass series.

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I’ve put myself on a book buying ban in preparation for my summer move, but I may break it for this book. I’ve heard such great things about it and the story sounds amazing!

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I’ve always meant to read this one but it just keeps slipping by. With the release of the third one coming up I’d like to remedy that.

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[Zeroes] Scott Westerfield, Margo Lanagan, Deborah Biancotti

Zeroes was a confusing mess of names and events that were loosely tied together by the time the book ended, but it was a long road to get there. Unfortunately, having three big authors write a book together does not automatically make it a success. Scott Westerfeld is an author I really enjoy reading. I loved the steampunk Leviathan series, and his Uglies series was probably the first young adult dystopian novels that I read. But in Zeroes I felt nothing that drew me in the way that these other series did. I haven’t read the other two authors so I can’t speak for their writing style or series, and I don’t know who wrote what characters or if it was a collaborative effort. I don’t know what happened with Zeroes, but what should have been an interesting and exciting novel about teenagers with powers became a rather dull novel with a lot of internal reflection and coming to terms with controlling your powers.

This is the first novel I’ve read this year where I’ve been disappointed. And I can’t believe it’s a Westerfeld novel. Part of the problem was that although the writing was very good, the story was super long. If things had happened, I think I would have been more engaged. But the pacing was off. Everything was clustered at the end and I feel like most of the middle could have been condensed down. There needed to be more events in the middle to justify the length of it.

I will say that the ending was very exciting. I saw the potential for the series there. If more of that had been in the middle I definitely would have loved this book. The characters all came together, the threads that had been woven throughout the novel brought the story to a close. I loved that we were finally able to see all of their powers when they were working together to achieve something. They became more than just teenagers who were playing around with their powers in that moment; they had a purpose. That’s something that I can get behind.

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[Shadowsong] S. Jae-Jones

What are monsters but mortals corrupted?*

Strange and queer, the lot of them. Elf-touched, they were called in the old days…The mad, the fearful, the faithful. Those who dwell with one foot in the Underground and another in the world above.*

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We were grotesques in the world above, too different, too odd, too talented, too much. 

S. Jae-Jones is a brilliant writer.

I will admit that I didn’t love the entirety of Wintersong––I loved the first half but thought the second was a little slow––but I always thought that S.Jae-Jones’ writing was beautiful and spectacular. Her writing shone in Shadowsong. The images she creates with her words are utterly beautiful, forming Liesl’s world for the reader in a very poetic way. It’s perfect for the setting of fairy-tales and goblins and music. S.Jae-Jones is someone who can create a world with her words that I just want to immerse myself in. Couple that with the fact that Shadowsong is a fantasy novel with a historical setting and I’m hooked.

Although Shadowsong is fiction, S. Jae-Jones gives her readers an author’s note at the beginning warning that not everything inside of this novel is so easily read as a fiction. Shadowsong deals with the very real subjects of self-harm, addiction, reckless behaviors, and thoughts of suicide. The author is open with her own diagnosis of bipolar disorder and how she gave it to Liesl. There were moments that were difficult to read because of how Liesl was struggling. I could relate to certain thoughts she had regarding creation of art and fear of failure and doubt. I thought it was wonderful that S. Jae-Jones was completely open about this at the beginning of her novel.

I waited for some mood or inspiration to strike me, for the desire to play to overtake me, but there was nothing. Solitude around me and silence within me. I had not dreamed once since we came to the city. The voice inside me––my voice––was gone. No ideas. No drive. No passion. My nights were quiet. Blank. The dullness was seeping into my days.*

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