[Furyborn] Claire Legrand

The premise of Furyborn is the legend of two queens: one of light and one of blood. Legrand takes the legend of these two queens and sets them miles––and years––apart. As the story spans across centuries, the legend of the two queens becomes just that––a legend. But when a girl who can’t be injured comes along, people begin to believe that perhaps it’s not just a legend.

To start off, I think that the premise for this book is amazing. I love the idea of things that don’t seem connected at first, especially when they involve the falls of kingdoms and of powerful women who don’t downplay their talents. It’s something that I love seeing in books, because I feel like there’s a ton of female characters who write off their talents. This was not the case for Rielle and Eliana. They both know that they’re talented––one with the elements and one with knives––and they’re both really unapologetic about it. There need to be more women like this in fiction. Having the book focused on the two of them made it really enjoyable, and I liked how both of their perspectives were super different. Their lives were so different too and seeing that contrast showed more of the world than if they’d both come from the same background.

The worldbuilding in this novel was great! The world was easily my favorite part about this novel. It was really interesting to see how Legrand built up the world by subtly putting in information as Rielle was going through the elemental trials. It was just enough that I really wanted to know more––or perhaps I could read some prequels about the Saints?? please and thank you––without taking away from the rest of the story. This novel kind of has two different settings and worlds, too; even though both Rielle and Eliana technically exist in the same world, they exist a thousand years apart. That means that Rielle’s reality, the one that we’re shown with angels and magic, is not Eliana’s reality. In fact, so many years have passed that people don’t really believe that magic ever existed. They think that they’re just stories. I loved that we could see these two settings side by side because of the dual perspective. I also really appreciated that Legrand showed negatives and positives to both times and didn’t make one better than the other.

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[Starstruck] S.E. Anderson

Starstruck is the first book that I received through The Book Robin Hoods, a group of authors and reviewers started by M.C. Frank. More information on my own involvement may be found here and here.

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Sally’s life is not going according to plans. A college dropout, she’s barely able to hold down a steady job and keep a roommate to help pay the rent. When Sally loses her job, it seems like everything is going from bad to worse––culminating in her hitting someone with her car. But it’s not just any someone. He happens to be an alien. She beyond relieved when there seems to be no lasting damage, and she thinks this weird encounter is the last of it. But when he calls her to bail her out of jail, she realizes that hitting him with her car was only the beginning. Starstruck is a fun and fast-paced read that keeps the reader engaged in the story as Sally tries to figure out where she fits into this larger universe that’s suddenly open to her.

Zander is the other main character in Starstruck, and the main cause of Sally’s woes. Although Zander looks human, he still has a lot to learn about being human. I really enjoyed the chaos that he caused in Sally’s life because of that; I loved reading how she had to teach him how to wear clothes properly and the socially accepted way of bathing. It was entertaining to read. I liked that he didn’t instinctively know what to do.

Was there a handbook that could tell me what to do next? There were thousands of books that taught parenting; I was pretty sure there wasn’t a self-help book about alien roommates. If there was, it was probably about abductees, not subletters.

S.E. Anderson’s writing was great. I felt like the humor was genuine and I enjoyed the mixups that sometimes occurred between Sally and Zander. The words and the story flowed together nicely, giving the reader a fully coherent story that had me curious about the larger world contained but not explained. It looks like the next books in the series will be about this world that S.E. Anderson created. I was glad that the book was focused like this. It made the book more detailed because it focused on one place instead of focusing on it all at once.

I thought that S.E. Anderson created a really good protagonist in Sally. She had a great voice and personality that I enjoyed following. The way that the story was told was also slightly different than what I’m used to; it was a combination of Sally looking back on her past, asides to the reader, and current events in the novel. Sally’s earnestness made the story really enjoyable. She was very grounded in her reality even when the world was becoming more complicated.

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[Blackhearts] Nicole Castroman

Literally the first words of this book’s synopsis are “Blackbeard the pirate” but that is not what Blackhearts is about. I kept waiting for pirates to show up! For excitement to happen! For anything other than the flimsy romance that was the focus of this novel. Honestly, I’m quite disappointed. I thought that this was going to be a really exciting, quick read, but I couldn’t really find a point in the early part of the story that was interesting.

When I first started writing, one of my teachers told the class that oft-used phrase: Start in the middle of the action. I’m fairly positive this advice has been given to me every time I had any sort of creative writing class. I wish that Blackhearts had heeded that advice. While Castroman does a good job of setting the scene and giving both Anne and Teach their backgrounds, I thought that there was a bit too much telling instead of showing. I love getting pieces of the setting when it’s mixed in with the story. I love seeing the character of a protagonist when they’re up against adversity. I feel like Castroman should have focused more on showing that as the plot progressed instead of making the first half of the book heavy on the telling side.

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[The Epic Crush of Genie Lo] F.C. Yee

Chinese folklore, action, and the threat of a demon invasion. That is what The Epic Crush of Genie Lo is made of. Epic Crush is the debut novel from F.C. Yee, and combines high school classes and college prep with hunting down demons and learning how to control sudden powers. The gods, goddesses, and demons from Chinese mythology were unfamiliar, but they were integrated into a modern setting in a way that introduced them to a reader who has little to no knowledge of them.

I know nothing about Chinese mythology, so this was my first introduction to the gods, goddesses, and demons. It worked for me and I enjoyed reading a book that also taught me something. Ultimately, I’m not sure if learning about folklore from a YA book is the best because authors sometimes pick and choose, but it was interesting enough for me! I enjoyed that both Chinese names and translated names were used. It was a good choice because had all traditional names been used, I think it would have had the tendency to run together, but if all names were translated, it would have given the book a childishness that the book doesn’t deserve.

I really like books that incorporate an older, mythological setting and characters into a modern one. I like the urban fantasy aspect that it creates for books. While I felt that the modern setting was a bit too vague and relied on the reader to supply what they thought the Bay area looked like, I was able to imagine the world of the gods that existed alongside the modern one through the descriptions given to me in the stories Genie learned about. So while I felt that the normal setting was a bit bland and unrealized, the mythology behind it made it much more interesting.

The main character in Epic Crush is Genie, a girl prepping for college by studying hard, going to an adviser, and generally doing any volunteer activities that will help her get into a college far, far away from her hometown. That’s her main goal. She’s kind of thrown for a loop when she’s suddenly told that she has powers, but they’re not exactly the standard ones. There’s a lot of adjusting, and then there’s even more adjusting when something is revealed that makes her question her whole identity. I thought it was an interesting take on the powers trope. It isn’t something I’ve read before, so I was pleasantly surprised by it.

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[Caraval] Stephanie Garber

Once people leave this isle, the things they’ve done here don’t just unhappen, no matter how much they wish them undone.

Well, I’m glad that I didn’t pursue the idea of buying a UK edition. While Caraval did suffer from the fact that I went through a major reading slump while reading it, it wasn’t just that. I feel like Caraval was far too long for a story where very few things happened.  We were promised a carnival-esque setting, but I feel like I didn’t see much of it. The story primarily focused on Scarlett and Julian instead of the scavenger hunt / performance of Caraval.

Anytime I heard anything about Caraval, I heard about carnivals and circuses.  The people who participate in Caraval are supposed to solve a mystery–the disappearance of Scarlett’s sister–by following a set of clues like a scavenger hunt. It was something that sounded so interesting–a carnival steeped in a fantasy world. At the beginning of the novel, we’re introduced to several characters who are participating in this scavenger hunt, so it seems like Scarlett will have to compete against people who only want the prize, where she has a lot more at stake because it’s her sister. However, as the novel progresses, the only characters we consistently spend time with are Scarlett and Julian. The other characters are somewhere else, only showing up when they need to give hints to Scarlett or reveal that another character is villainous. There’s been other novels where I’ve complained about this before, but Caraval was the absolute worst that I’ve read to date. It basically was Scarlett and Julian wandering around Caraval and happening upon clues. I was really disappointed that the novel ended up focusing on the romance (instant-love, by the way, no matter how much Scarlett feels it’s meant to be and complains about her sister doing the same thing).

I wanted to know more about the tattooed young man and the woman who records all of Caraval–both past and present–in her book. There were shops where you answered truthfully or lost a day of your life–in the sense that you literally die for a day and then wake up the next. Those little bits of fantasy elements that were thrown in were so fascinating that had they been focused on and expanded, I think I would have liked Caraval more than I did. Despite it being about a performance, we didn’t see much of any performance. It had so much potential that wasn’t met, despite the fact that it was heavily marketed as a fantasy-circus novel. I think that Caraval is a prime example of book marketing done right–in the sense that many readers, myself included, were eagerly looking forward to getting our hands on this book. I feel so disappointed that it disappointed me.

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[Shadow Run: Kaitan Chronicles I] AdriAnne Strickland and Michael Miller

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Shadow Run has been touted as Firefly meets Dune, a space opera that should draw fans of both. The Firefly tease was part of the reason why I requested an ARC of Shadow Run in the first place. Shadow Run had action and adventure, a touch of romance, and the looming threat of an increasingly powerful bad guy. I didn’t find it as episodic as Firefly, but Shadow Run functions as a nice stand-alone space opera novel, with a potential to continue the series.

One of my favorite parts of Shadow Run, and other space opera stories is the world. When done well, they can be rich and immersive. I feel that way about Shadow Run, although I still wish it had gone into more detail. There was plenty of detail to show the world to the reader, but I still wanted more. I really enjoyed reading about it. The few planets that were visited by the characters were described in ways that allowed me to really visualize the setting. When the world isn’t familiar or created entirely by an author, those details must be there. A reader doesn’t know what living on another planet will be like, so an author has to fully immerse them in it.

Unusual Planet wallpapers and images - wallpapers, pictures, photos

The thing that really cinched the world-building for me were the differences between Nev and Qole’s planets. The weapons and clothing differs, the cities on Nev’s planet are unbelievable to Qole who is used to smaller buildings, and the characteristics of the people are extremely different. Qole’s culture shock is believable and expected.

This was helped along by the two viewpoints. Readers are shown both characters out of their element, but Nev’s adaptability is a little better than Qole’s. Although he’s always had everything, he was able to adjust to a lesser lifestyle rather quickly. In contrast, I loved reading Qole’s reactions to the high-fashion and careless lifestyles of the people around her. I feel like their voices–and their speaking patterns–were very clear.

While I have a clear picture of both Qole and Nev, I don’t feel the same about the secondary characters. They’re delegated into roles: Strong-arm, hacker, brother, androgynous member of the crew. I didn’t mind the first person narration because I feel that it showcased the differences between Qole and Nev, but it didn’t help with knowing other characters. I feel that there was a bit of a disconnect between the reader and the world because of the first-person narration; I was in Nev’s head to understand his world, then suddenly in Qole’s–and part of her point-of-view was her trying to come to terms with what Nev had said or revealed. It was a lot of back and forth and I feel like some of the action was lost in it.

However, I did have a favorite secondary character. Basra. I want to know more about him. He seems to be quite a chameleon and even at the end of the novel, still has his secrets. I liked that he actually had a backstory that was more explored (i.e.: shown) than that of Eton’s and Telu’s, who I feel were only marginally explained. I want to know Basra’s history. Story about that, please.

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[The Bone Witch] Rin Chupeco

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The Bone Witch was a novel with a nice premise but the execution was not strong enough to keep my interest. Told in two perspectives, The Bone Witch follows Tea, a Dark Asha, as she discovers her powers in the past and in the present as she tells her story to a banished storyteller. Her story begins when she accidentally brings her brother back from the dead and soon she is fully entrenched in her new life as a Dark Asha, one of the rare witches who can raise and command the dead, both human and daeva. Her training means that she gains more control and she must make decisions that will affect her future and that of those around her.

There were things I really liked about this novel. I thought that the fantasy part of it–the idea of it, at least–was something that was creative. I liked that the main character was ostracized even by other witches because of her powers and that she didn’t have control over them at first. I particularly liked the idea that you couldn’t hide the feelings in your heart–unless you literally hid it behind something–because you had a heartsglass that swirled with color. The little touches like this were really well done, but ultimately The Bone Witch fell too much to the side of information dumping.

The world, when it should have been interesting, was full of too much information at one time. Despite the amount of information given to me, I don’t feel like I know much about the world. Few things really stood out. I know a little bit about the daeva, these monster-like creatures that are reborn every so many years, terrorize the general populace, and need to be put down by the Dark Asha again. Then there are all of these places that were mentioned multiple times and are likely important, but I couldn’t keep any of them straight. I’m not sure if it was because of the information dumping, the point of view, or the storytelling itself, but I just couldn’t distinguish one from the other.

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