Once people leave this isle, the things they’ve done here don’t just unhappen, no matter how much they wish them undone.
Well, I’m glad that I didn’t pursue the idea of buying a UK edition. While Caraval did suffer from the fact that I went through a major reading slump while reading it, it wasn’t just that. I feel like Caraval was far too long for a story where very few things happened. We were promised a carnival-esque setting, but I feel like I didn’t see much of it. The story primarily focused on Scarlett and Julian instead of the scavenger hunt / performance of Caraval.
Anytime I heard anything about Caraval, I heard about carnivals and circuses. The people who participate in Caraval are supposed to solve a mystery–the disappearance of Scarlett’s sister–by following a set of clues like a scavenger hunt. It was something that sounded so interesting–a carnival steeped in a fantasy world. At the beginning of the novel, we’re introduced to several characters who are participating in this scavenger hunt, so it seems like Scarlett will have to compete against people who only want the prize, where she has a lot more at stake because it’s her sister. However, as the novel progresses, the only characters we consistently spend time with are Scarlett and Julian. The other characters are somewhere else, only showing up when they need to give hints to Scarlett or reveal that another character is villainous. There’s been other novels where I’ve complained about this before, but Caraval was the absolute worst that I’ve read to date. It basically was Scarlett and Julian wandering around Caraval and happening upon clues. I was really disappointed that the novel ended up focusing on the romance (instant-love, by the way, no matter how much Scarlett feels it’s meant to be and complains about her sister doing the same thing).
I wanted to know more about the tattooed young man and the woman who records all of Caraval–both past and present–in her book. There were shops where you answered truthfully or lost a day of your life–in the sense that you literally die for a day and then wake up the next. Those little bits of fantasy elements that were thrown in were so fascinating that had they been focused on and expanded, I think I would have liked Caraval more than I did. Despite it being about a performance, we didn’t see much of any performance. It had so much potential that wasn’t met, despite the fact that it was heavily marketed as a fantasy-circus novel. I think that Caraval is a prime example of book marketing done right–in the sense that many readers, myself included, were eagerly looking forward to getting our hands on this book. I feel so disappointed that it disappointed me.