[First We Were IV] Alexandra Sirowy

The Order, its power, it’s a high. I feel it. But it’s also like this shadow I keep seeing out of the corner of my eye. I turn my head and it’s gone. It’s there. Dark. Waiting.*

It’s senior year, and Izzie, Harry, Graham, and Viv are the center of their universe. Self-made outcasts, they love each other fiercely and defiantly, ignoring the insults of their classmates. As the year begins, fear that their friendship will disintegrate after they go their separate ways begins to burn through Izzie. On a whim, she suggests that they start a secret society to stay together–no matter what. When the other three agree, they draft a secret society modeled after the ones they determine to be great. The Order of IV becomes their way to get back at their classmates and their small town, righting what they perceive to be injustices and doing it anonymously. There’s a certain power to invisibility, and they relish in how they can control it. When their rebellions are noticed by other classmates, the four of them realize that their power extends even further than they thought. Power is all-consuming. And it can get away from you.

Never lie.
Never tell.
Love each other.

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[Emma in the Night] Wendy Walker

There are so many pieces to our story, pieces that, if taken away, might have changed the whole course of it. […] And…it took all of us, our flaws and our desires. My hunger for power, which I will get to next. It was all in it, in our story, like the ingredients to a complicated recipe.*

Daughters of Mothers with Narcissism: Can the Cycle Be Broken?*

That is the name of the fictional paper that Emma in the Night keeps going back to explore: Can daughters escape a narcissistic cycle when it’s the only thing they’ve known their whole life? Three years ago, Cass and Emma Tanner disappeared. When Cass comes back this cold case reopens, and with it comes things that Dr. Abby Winter tried so hard to forget. It was the case that stuck with her and now she has a chance to solve what happened the night that Emma and Cass disappeared. Something didn’t add up to Abby then, and it doesn’t add up now. As Cass weaves a story of betrayal, kidnapping, and lost time, Abby has to untangle the truth from Cass’ words. Her return doesn’t mean it’s over.

I think there are two types of people. Ones who have a scream inside them and ones who don’t. People who have a scream are too angry or too sad or laugh too hard, swear too much, use drugs or never sit still. Sometimes they sing at the top of their lungs with the windows rolled down. I don’t think people are born with it. I think other people put it inside you with the things they do to you, or say to you, or the things you see them do or say to other people. And I don’t think you can get rid of it. If you don’t have a scream, you can’t understand.*

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Upcoming summer releases that I want to read, and you should too! Part two

I’m back with more summer reads! Part one can be found here. There’s so many books that I want to read this summer that I may go broke. Or at least run out my amazon gift card.

The hottest month. Good for reading indoors. Or in the pool.

SHIMMER AND BURN: August 8th Magic smuggling. Need I say more?

THE HEARTS WE SOLD: August 8th A deal with a devil?? Come to me, book!

THIS IS NOT THE END: August 8th If you can resurrect one person in your life by your eighteenth birthday, who would you choose? It’s an impossible choice, but should it be a choice at all?

THE EPIC CRUSH OF GENIE LO: August 8th Chinese mythology, a heroine with powers, and demons that are suddenly plaguing her little town. I’ll be reviewing this one soon!

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Upcoming summer releases that I want to read, and you should too! Part one

Summer is the time for reading: iced tea, cold sandwiches, the warmth of the sun on my back…and a book in my hand. There’s so many books coming out in the summer that I thought I’d narrow it down* by sharing some of my most anticipated releases.

A note: some of the books mentioned here are ones that I’ve reviewed but sometimes my anticipation was greater than my enjoyment.

It’s the first week of June, which means that these could soon be in your (my) hands! Excitement!

ROAR: June 6th  I was lusting after an ARC of this one so bad, but I never was approved. *insert sad emoji here* So basically, the rulers of the land have the ability to harness storms. They reach into it and steal its essence in the form of a stone. BUT the protagonist doesn’t have this power, despite being from one of the ruling families. But she may be able to figure out a way to steal storm power. It sounds so dangerous, and so exciting! And the cover is beautiful.

TASH HEARTS TOLSTOY: June 6th Tash loves Tolstoy’s Anna Karenina. She loves it so much that she created a (suddenly famous) web series that’s a modern day retelling. It sounds really cute and it’s right up my alley with the whole loving a book / books so much that you do something creative with said book. ALSO, she’s an asexual character which I hope is done really well because it’s the first I’ve seen in YA.

HERE LIES DANIEL TATE: June 6th This one sounds SO GOOD. When a boy who went missing six years ago suddenly reappears with no memories of that time, his overjoyed family reassure him that the memories will come back. Only one problem: HE ISN’T DANIEL TATE. He’s a CON ARTIST. DUNDUNDUUUUN. But seriously, this one sounds like a mystery and thriller all rolled up in one which I love reading.

THE SUFFERING TREE: June 13th  A mysterious inheritance, a town that doesn’t like outsiders, and a family with secrets–and a curse–they would do anything to keep hidden. I requested an ARC because I thought it sounded interesting, but it was a case of the summary saying one thing but the book being more about another. I’m including it because you can find my review here and decide for yourself. Some readers may enjoy it.

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[Patchwork] Karsten Knight

Patchwork is said to be like several popular young adult novels, which is something that often bothers me. I feel that it can set up the book to be a failure if it doesn’t meet my expectations–made higher by people touting it as the next Game of Thrones or Gone Girl. It may perhaps be lucky that I haven’t read any of the books that this one is said to be similar to, because for once I don’t have that complaint. In Patchwork, Karsten Knight takes the myth of the Phoenix and puts it in a modern setting, blending past and present in a time-traveling book that sends Renata Lake into her memories for a chance to change a moment. Her power comes to the surface after an attack at prom kills all of her friends and classmates. Suddenly she has a new power that she doesn’t understand. What she doesn’t have is time–Renata must try to figure out how to use her powers to discover who is after her and her friends before it’s too late.

I really enjoyed the world of Patchwork. Knight created a world based on Renata’s memories of the past, knitting together her reality and the mythos of Patchwork. I hesitate to say more because I don’t want to have heavy spoilers in my review. Patchwork functioned as a way for Renata to time-travel, allowing her to walk through memories to find a point in her past that she could try to change, but she can never go back to the original point where her powers manifested: the attack at prom. She can continue going backward to try to save her friends and discover the assassin, but it erases her future. She has to make new memories from whatever point she stops at. Fortunately, she remembers everything. Unfortunately, no one else does. I think that everyone wishes at some point in their life that they could go back and change something, but they maybe don’t consider what would happen if they could change a moment but then they’re stuck and have to start over from there. I thought that Knight did a great job of portraying this by using Patchwork and Renata’s reaction to it. I’ve read a few time-traveling books before, but I thought that this was a unique way to portray it.

The one very slight problem I had with Patchwork was the blending of Greek and what I see as Egyptian mythology, namely the choice of Osiris. There’s an Amaranthine Society, the Minotaurs, and Daedalus, which are decidedly Greek. I love that Greek mythology was woven throughout the story because it’s always been something I’m interested in. The inclusion of Osiris, an Egyptian god of the afterlife, really confused me. I did some research (i.e. read the Osiris myth on wikipedia), and apparently the myth of Osiris traveled to Greece with the worship of another goddess, Isis. The Osiris myth was also written about, where Greek writers viewed the Osiris myth with a Greek philosophy lens. So it does technically fit with the Greek mythology aspect of Patchwork. Even still, I would argue that Osiris is well-known as an Egyptian god with most people being unaware of the connection to Greece. Ultimately, my only quibble is that I wish Knight had chosen another name.

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[I Hunt Killers: Jasper Dent I] Barry Lyga

I Hunt Killers is a book that really focuses on the nature vs nurture debate when it comes serial killers. Are killers born? Or are they made? Jasper Dent, Jazz to those in the know, has both boxes ticked: his father is the country’s most notorious serial killer and he made Jazz help–perhaps more–but some of Jazz’s memories are fuzzy. When a killer seems to be following in the footsteps of Jazz’s father, suspicion naturally falls on Jazz. He knows that he didn’t do it, so he decides to use his unique knowledge to try and bring the true killer into the light. It brings him closer to his past than he likes.

I Hunt Killers is narrated by Jazz, who is a likable-unlikable character. He’s really calculating, and I spent most of the book being unsettled with how he sees things, particularly people. His dad was a definite psychopath who manipulated Jasper throughout his life–to the point that Jazz isn’t one hundred percent sure that he hasn’t done anything–and he’s the one that Jasper spent his childhood with. So it’s perhaps natural, then, that Jasper also knows how to be charming and how to use that charm to get what he wants from people. Being well aware of this doesn’t help him. There are times when he uses this ability to his advantage, but the whole time he’s wondering if that’s the first step on the path to making him Killer Dent 2.0. Some would say that it’s inevitable that Jasper becomes the next serial killer out of Lobo’s Nod.

I really liked that he was really struggling throughout the whole book with this concept. I don’t think that Jazz is a bad person, but I think that if the other characters knew how he thought about certain things, they’d be a little concerned. This goes beyond jokingly asking if someone needs help to hide the body. Jazz knows. Jazz could. He is constantly battling the fear that he could become his dad.  However, it does put him in a unique position to help the cops catch the killer. There’s only one problem: he’s a teenager.

In a lot of novels, the adults don’t exist. It focuses on the protagonist teenager who solves the crime. I really appreciated that the adults existed in this book. Granted, Jazz is still extremely involved because he is the main character, but it doesn’t put everything on him. Barry Lyga takes some of it away from him because teenagers can’t always go sneaking around crime scenes or morgues. I thought that there was a nice balance between Jazz doing things and the adults doing their jobs. It was realistic but not in a boring way.

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[The Suffering Tree] Elle Cosimano

Warning: I discuss cutting and the inclusion of it in The Suffering Tree in this review.

This cover is really nice. The colors are so lovely.

When I finished The Suffering Tree and read reviews of it I asked myself if I read the same book as these other reviewers because I absolutely do not have feelings of this being a five, four, or even three star book. The initial look at the book, aka the summary, had me hooked. It seemed right up my alley: it has a curse, a mystery, and a character coming back from the dead coupled with the outsider / outcast aspect. That summary was what led me to request an ARC on NetGalley. Sadly the summary led me astray.

The things I liked about this book are slim compared to the problems I had with it. It’s exceedingly frustrating as a reader to have most of the excitement about the book explained in the summary, because I found the actual book quite slow and boring at times. Even though the writing had beautiful and sometimes poetic moments, I couldn’t shake the disconnect from the characters despite following Tori throughout the entire novel.

Normally this is where I’d go into talking about the characters to keep with the flow of my writing, but I wanted to talk about the things I had issues with in order of importance. Because all of my issues with the characters and the points of view pale in comparison to this:

Using cutting as a way to have magical things happen is a HUGE problem

There was no indication going into The Suffering Tree that Tori self-harmed. Like this review here, I agree that self-harm is not something that should be completely erased from young adult books, but it does need to be done in a way that doesn’t glorify it the way that I felt The Suffering Tree did. The inclusion of self-harm was completely unexpected. I’ve read a few other books with self-harm in them, and generally there’s something in the plot summary that indicates to the reader that it will be discussed in the book.

I hated that other characters, namely her mother and brother, seemed to ignore that Tori was hurting. Tori had been caught before and was required to talk to someone (she no longer is talking to someone ) and Tori’s mother counts the knives in the drawers, but there’s just something so dismissive about how it was handled in the book. They just scurry out of her way in their attempts to not talk about it.  With the death of Tori’s father, subsequent eviction, and move to a new home and town, you’d think that Tori’s mother would be aware of the stressors in Tori’s life that would lead to more cutting. There’s absolutely no discussion about how Tori is doing and there’s no therapy, even though the discussion of therapy is halfheartedly made later on. Nothing comes of it, however.  It made me feel like the author just used it as a way to further the story rather than call attention to the real harm it can be.

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