[Patchwork] Karsten Knight

Patchwork is said to be like several popular young adult novels, which is something that often bothers me. I feel that it can set up the book to be a failure if it doesn’t meet my expectations–made higher by people touting it as the next Game of Thrones or Gone Girl. It may perhaps be lucky that I haven’t read any of the books that this one is said to be similar to, because for once I don’t have that complaint. In Patchwork, Karsten Knight takes the myth of the Phoenix and puts it in a modern setting, blending past and present in a time-traveling book that sends Renata Lake into her memories for a chance to change a moment. Her power comes to the surface after an attack at prom kills all of her friends and classmates. Suddenly she has a new power that she doesn’t understand. What she doesn’t have is time–Renata must try to figure out how to use her powers to discover who is after her and her friends before it’s too late.

I really enjoyed the world of Patchwork. Knight created a world based on Renata’s memories of the past, knitting together her reality and the mythos of Patchwork. I hesitate to say more because I don’t want to have heavy spoilers in my review. Patchwork functioned as a way for Renata to time-travel, allowing her to walk through memories to find a point in her past that she could try to change, but she can never go back to the original point where her powers manifested: the attack at prom. She can continue going backward to try to save her friends and discover the assassin, but it erases her future. She has to make new memories from whatever point she stops at. Fortunately, she remembers everything. Unfortunately, no one else does. I think that everyone wishes at some point in their life that they could go back and change something, but they maybe don’t consider what would happen if they could change a moment but then they’re stuck and have to start over from there. I thought that Knight did a great job of portraying this by using Patchwork and Renata’s reaction to it. I’ve read a few time-traveling books before, but I thought that this was a unique way to portray it.

The one very slight problem I had with Patchwork was the blending of Greek and what I see as Egyptian mythology, namely the choice of Osiris. There’s an Amaranthine Society, the Minotaurs, and Daedalus, which are decidedly Greek. I love that Greek mythology was woven throughout the story because it’s always been something I’m interested in. The inclusion of Osiris, an Egyptian god of the afterlife, really confused me. I did some research (i.e. read the Osiris myth on wikipedia), and apparently the myth of Osiris traveled to Greece with the worship of another goddess, Isis. The Osiris myth was also written about, where Greek writers viewed the Osiris myth with a Greek philosophy lens. So it does technically fit with the Greek mythology aspect of Patchwork. Even still, I would argue that Osiris is well-known as an Egyptian god with most people being unaware of the connection to Greece. Ultimately, my only quibble is that I wish Knight had chosen another name.

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[The Suffering Tree] Elle Cosimano

Warning: I discuss cutting and the inclusion of it in The Suffering Tree in this review.

This cover is really nice. The colors are so lovely.

When I finished The Suffering Tree and read reviews of it I asked myself if I read the same book as these other reviewers because I absolutely do not have feelings of this being a five, four, or even three star book. The initial look at the book, aka the summary, had me hooked. It seemed right up my alley: it has a curse, a mystery, and a character coming back from the dead coupled with the outsider / outcast aspect. That summary was what led me to request an ARC on NetGalley. Sadly the summary led me astray.

The things I liked about this book are slim compared to the problems I had with it. It’s exceedingly frustrating as a reader to have most of the excitement about the book explained in the summary, because I found the actual book quite slow and boring at times. Even though the writing had beautiful and sometimes poetic moments, I couldn’t shake the disconnect from the characters despite following Tori throughout the entire novel.

Normally this is where I’d go into talking about the characters to keep with the flow of my writing, but I wanted to talk about the things I had issues with in order of importance. Because all of my issues with the characters and the points of view pale in comparison to this:

Using cutting as a way to have magical things happen is a HUGE problem

There was no indication going into The Suffering Tree that Tori self-harmed. Like this review here, I agree that self-harm is not something that should be completely erased from young adult books, but it does need to be done in a way that doesn’t glorify it the way that I felt The Suffering Tree did. The inclusion of self-harm was completely unexpected. I’ve read a few other books with self-harm in them, and generally there’s something in the plot summary that indicates to the reader that it will be discussed in the book.

I hated that other characters, namely her mother and brother, seemed to ignore that Tori was hurting. Tori had been caught before and was required to talk to someone (she no longer is talking to someone ) and Tori’s mother counts the knives in the drawers, but there’s just something so dismissive about how it was handled in the book. They just scurry out of her way in their attempts to not talk about it.  With the death of Tori’s father, subsequent eviction, and move to a new home and town, you’d think that Tori’s mother would be aware of the stressors in Tori’s life that would lead to more cutting. There’s absolutely no discussion about how Tori is doing and there’s no therapy, even though the discussion of therapy is halfheartedly made later on. Nothing comes of it, however.  It made me feel like the author just used it as a way to further the story rather than call attention to the real harm it can be.

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[Ghost House] Alexandra Adornetto

19486754Chloe thought that the ghosts that used to haunt her were gone. She thought that she was strong enough to push them away, but in the days following her mother’s death, they come back in force. They’re harder to push away. Dealing with her mother’s death, the ghosts, and her father’s grief, Chloe doesn’t know how much longer she can keep it together. Whisked away to England by a worried grandmother, Chloe’s abilities draw her into a 157 year old mystery and the ghosts that have the answers.

I was super intrigued by the premise of Ghost House. It promised that there would be “hungry dead  [eager for] a chance to claim her for their own, ” and that there was a mystery at its heart. Chloe can see ghosts and is able to ignore them most of the time, but then she suddenly can’t push them away. She’s drawn into this world that exists alongside her own. Chloe struggles to figure out her place in both of the worlds because she’s torn between them. Due to the poor execution, I didn’t feel that this was the result of the book at all. This was very much a novel where the summary and publication team works really hard to make this seem readable. For most of my time reading it, I kept looking for that zest that made it as exciting as the summary sounded. It wasn’t there.

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[The Delphi Effect] Rysa Walker

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Anna is a normal girl with an unusual and sometimes debilitating talent. She picks up the ghosts of people who have something they want to do before they move on. When they move on, they leave her with their knowledge, so she’d probably be the best person to have on your trivia team. Sometimes it’s simple, like a goodbye or an apology to a brother; other times it’s a little more time consuming, like that time her ghost hitchhiker wanted her to finish a crossword puzzle; other times it’s downright dangerous. Until Molly, Anna’s life had been living moment to moment: going to her job, her therapist, and dealing with the occasional friendly, but annoying, ghost. When she picks up Molly at the shelter, Molly wants justice for her murder–and she won’t leave until she has it. Thrown headlong into a nearly cold investigation, Anna realizes that it’s much more complicated than a murder. And the people who committed it will do anything to get her once they learn what she can do.

The Delphi Effect was one of those books that I wasn’t sure I would like. I’ve mentioned before that I’m a little leery of paranormal / ghost young adult novels, so I tried to hold that feeling back until I got further into the book. At first it was a little slow because Rysa Walker needed to build the world, but at some point without even realizing it, I was further along in the book and couldn’t put it down. I can’t quite put my finger on what it was that the author did. I’m not sure if it was the slow way that the plot built or the depth of the characters, but the blend made for an entertaining novel.

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[The Raven King: The Raven Cycle IV] Maggie Stiefvater 

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This is it. The final book of The Raven CycleThe Raven King finishes what was started in The Raven Boys. Finally on the last legs of their quest, Gansey hurtles toward Glendower as Blue tries desperately to think of a way to free him from the future that she knows is coming sooner rather than later. Darker things have come to Henrietta and the raven boys and Blue struggle to find a way to stop them before it’s too late. Everything they’ve known–about themselves, about Glendower and Cabeswater–will be tested.

As a conclusion to the series, The Raven King satisfied most of what I wanted from it. But not all. What I appreciated about the first three novels–namely the family dynamic, the psychics of Fox Way, the enigma of Cabeswater–was overshadowed in The Raven King by the growing relationship between Gansey and Blue, Adam learning how to best be a conduit for Cabeswater, and Ronan’s growing prowess as a dreamer. Don’t get me wrong, I loved all of those parts. But I missed all of the other parts that made the novel whole. I thought they were brushed aside in this novel to make way for the bigger parts, and I could really sense their loss. There was something missing from The Raven King because these pieces were lighter than they were in the first three novels. Some of these things were completely dropped from the narration, as if they had served their purpose and didn’t need to be mentioned ever again. What happened to the psychics? What happened to Noah? What happened to Gwenllian? These are just a few things that felt forgotten. There were so many loose ends.

My favorite characters in this were Ronan and Adam. Their arcs were really fascinating. Adam’s growth in particular was really well done. From being afraid of his father to being able to extend a hand to his family even after they had basically disowned him (although he should have disowned them ages ago in the first place because of how horrible they were to him), he became so much stronger. Out of all of the characters, I think he changed the most. But only marginally more than Ronan. Ronan’s growth was different than Adam’s. As he became more adept with his dreaming, I think that he also became more happy with himself. He found the things that he loved and that came out in how he interacted with the other characters. He was still surly at times, but there were more moments where I was able to see why he fit in with the other raven boys and with Blue. Blue and Ronan were able to come to an understanding and their growing Sis/Bro-mance made me laugh a lot. They’re so similar, even though I think they’d both hate being compared to one another. I loved that both Adam and Ronan were connected to Cabeswater in unique ways.

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[Monstress 1: Awakening] Marjorie M. Liu and Sana Takeda

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Monstress was a beautiful and deadly introduction to the world that Marjorie M. Liu created and Sana Takeda illustrated. After an apocalyptic event, lines were drawn between the Humans and the Arcanics. We follow Maika Halfwolf and her companions as they try to find what exactly happened on that day and how Maika is connected to it. Maika has secrets of her own and sometimes it’s best that they remain hidden.

For the most part, I couldn’t get enough of Monstress. There were moments when the story was a bit slow because the author needed to introduce concepts or characters to the reader, but as a whole, it started immediately in the action and didn’t stop. We learn that there are the Arcanics, who look different from the humans (often appearing half animal) and who are not considered human ever since the events of the war. Treating them badly is commonplace, although not every human is like that. The Cumaea, a sort of witch-nun, are after Arcanics for their Lilium, a substance that they can harvest from Arcanics they’ve captured. They’re powerful enough that they can do what they want, and no one can stop them. This is a world that had steam-punk influences, but also maintained that it was a fantasy world where gods exist.

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One of my absolute favorite parts of Monstress was the fact that nearly all of the characters–the protagonist, one of the companions, the villains–were female. There were men, but the story was not driven by them. I love that the protagonist, Maika, was harsh and didn’t want to step into the shoes of a heroine when others pressured her toward that direction. She remained firmly rooted in her own motivations. She wasn’t unwilling to change, however. One of my favorite things to read were her actions with Kippa and Ren, because it really showed how traveling with them was changing her from this tough, prickly person to someone who was still tough and prickly, but she was willing to extend her drive to survive to protecting them. Maika is an unlikely caretaker, but nothing is more natural than her slipping into that role for Kippa. The characters in this are also extremely diverse. Because there was an apocalyptic event in this world, it seems like everyone who survived came together and built what they could. There’s not any room for prejudices, unless you’re an Arcanic.

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[Blue Lily, Lily Blue: The Raven Cycle III] Maggie Stiefvater

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What I really enjoyed about Blue Lily, Lily Blue is that it directly paralleled The Dream Thieves. Where Ronan was sleeping and dreaming up fantastical things to bring back into waking reality in The Dream Thieves, Blue Lily, Lily Blue has a focus on not waking the sleepers. Blue is a little bit worried that her mother hasn’t resurfaced since she disappeared. Her disappearance has Blue distracted as she and the raven boys continue to search for Glendower. As they hurtle toward the end of their quest, they discover that there are things underground that they don’t want to wake. To do so could have dire consequences.

Things get a little bit darker in this book as it’s leading directly into the finale. Blue Lily, Lily Blue works really hard at setting up events that will continue in the next book, and it succeeded at keeping my interest. Perhaps rather obviously, there’s a slightly heavier focus on Blue and her side-quest to find her mother, who as we know disappeared at the end of The Dream Thieves. It’s been months, and Blue wrestles with her feelings of betrayal and worry over her mother’s decision to vanish over her growing feelings for Gansey as they continue to search for Glendower. (Can I just pause here for a moment to say that Stiefvater is driving me insane with how she teases her readers about an eventual–I’m assuming–Gansey/Blue relationship/kiss? It’s written so well). There’s always been consequences that are revealed after the fact in The Raven Cycle, such as the death of Ronan’s father over his dream creations or how scrying can be dangerous, but Blue Lily, Lily Blue has consequences listed upfront to avoid. Bad things did happen in The Dream Thieves, and Blue Lily definitely continued that trend.

Something I really enjoyed about Blue Lily, Lily Blue is that all of the adventurers are revealed to have abilities. We already knew that Ronan could dream, Adam could connect with Cabeswater, and Blue was an amplifier, but Gansey had always seemed left out. To have an ability of a sort revealed to them made him fit in more. It also pushed a lot of the pieces together. I feel like I really have a good grasp on who Gansey is and why he is on a quest to find Glendower now. These abilities only drive the group together more and further cements their friendships with each other. As a result, I love them even more. Obviously I’ve loved (and will love) many characters that authors have created. I don’t think that there’s ever been a set of characters that I love (almost) equally. I’m glad that there are little between novellas that I can read once I’m done with the complete books.

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