[Aftercare Instructions] Bonnie Pipkin

Ever since the death of her father, Genesis has had to take on more than the average seventeen-about-to-turn-eighteen girl should have to. When her mother fell into a depression after her father’s death, Genesis took on the responsibility of taking care of her family. She can’t just leave her mother to her grief. But then Genesis gets pregnant. It’s not how she expected her year to go–pregnancy in high school was never her plan. She and her boyfriend, Peter, decide that getting an abortion is the only option for them because they’re seventeen and not ready for a child. After the procedure, Genesis expects to find her boyfriend waiting for her in the lobby of the Planned Parenthood. Instead she discovers that Peter abandoned her there. She’s alone. It’s something that she hasn’t really addressed before.

The girl and her escort have the same wild hair and deep-set eyes. This has to be her mother, and I try to imagine my own mother helping me out, escorting me. But I can’t conjure the faintest image of this. Not anymore.*

What follows is a heartfelt exploration of first loves, friendship, and understanding that your–and others’–actions may not be so black and white.

While Aftercare Instructions puts an abortion at the forefront of the novel–and indeed the opening scene takes place at the clinic–it’s very decisively after: it focuses on what Genesis is going through after the abortion and after the realization that her boyfriend has abandoned her. She needs to learn how to move on from both events and figure out how they’re going to change her. Genesis doesn’t always address everything, but since the chapter titles deal with aftercare and details about what your body goes through after an abortion, the reader is constantly reminded of where the novel started and what Genesis will eventually have to come to terms with.

I thought that Bonnie Pipkin did a good job of showing Genesis’ processing; she goes through an array of emotions from betrayal, to second guessing, to wanting to forget, all while trying to hold herself and her family together. She’s very much a girl who thinks that she has to keep it to herself to protect others, even her best friend. I think there’s an important release when she’s able to confide in others. I also think it’s equally important that she wasn’t shamed for having an abortion. Instead we were shown female relationships where there was only concern.

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[Patchwork] Karsten Knight

Patchwork is said to be like several popular young adult novels, which is something that often bothers me. I feel that it can set up the book to be a failure if it doesn’t meet my expectations–made higher by people touting it as the next Game of Thrones or Gone Girl. It may perhaps be lucky that I haven’t read any of the books that this one is said to be similar to, because for once I don’t have that complaint. In Patchwork, Karsten Knight takes the myth of the Phoenix and puts it in a modern setting, blending past and present in a time-traveling book that sends Renata Lake into her memories for a chance to change a moment. Her power comes to the surface after an attack at prom kills all of her friends and classmates. Suddenly she has a new power that she doesn’t understand. What she doesn’t have is time–Renata must try to figure out how to use her powers to discover who is after her and her friends before it’s too late.

I really enjoyed the world of Patchwork. Knight created a world based on Renata’s memories of the past, knitting together her reality and the mythos of Patchwork. I hesitate to say more because I don’t want to have heavy spoilers in my review. Patchwork functioned as a way for Renata to time-travel, allowing her to walk through memories to find a point in her past that she could try to change, but she can never go back to the original point where her powers manifested: the attack at prom. She can continue going backward to try to save her friends and discover the assassin, but it erases her future. She has to make new memories from whatever point she stops at. Fortunately, she remembers everything. Unfortunately, no one else does. I think that everyone wishes at some point in their life that they could go back and change something, but they maybe don’t consider what would happen if they could change a moment but then they’re stuck and have to start over from there. I thought that Knight did a great job of portraying this by using Patchwork and Renata’s reaction to it. I’ve read a few time-traveling books before, but I thought that this was a unique way to portray it.

The one very slight problem I had with Patchwork was the blending of Greek and what I see as Egyptian mythology, namely the choice of Osiris. There’s an Amaranthine Society, the Minotaurs, and Daedalus, which are decidedly Greek. I love that Greek mythology was woven throughout the story because it’s always been something I’m interested in. The inclusion of Osiris, an Egyptian god of the afterlife, really confused me. I did some research (i.e. read the Osiris myth on wikipedia), and apparently the myth of Osiris traveled to Greece with the worship of another goddess, Isis. The Osiris myth was also written about, where Greek writers viewed the Osiris myth with a Greek philosophy lens. So it does technically fit with the Greek mythology aspect of Patchwork. Even still, I would argue that Osiris is well-known as an Egyptian god with most people being unaware of the connection to Greece. Ultimately, my only quibble is that I wish Knight had chosen another name.

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[Geekerella] Ashley Poston

Geekerella is the most adorable book I’ve read this year. It is full of geeky references to BatmanStar TrekStar WarsFireflyThe Lord of the Rings… and so many more. It embraced fandom and all of the different facets of it: how you feel when your favorite thing is remade or made into a movie for the first time, fanfiction, reaction posts, cosplaying, and connecting with fans across the world with something you’re passionate about. Ashley Poston takes all of that and writes a retelling of Cinderella that fits in with this geeky culture that is often written off by people who don’t understand it.

The novel is divided between two points of view, Elle and Darien. Elle is our heroine who lives and breathes Starfield, the show she shared with her late father. Starfield is getting a reboot and Elle is equal parts thrilled and worried. She wants it to be for her generation–it’s bound to be better than the cardboard cutouts they had to use for props in the original–but worried about who will be cast as the main characters. When teen actor Darien Freeman is cast as her favorite character, her hero Federation Prince Carmindor, she thinks that everything Starfield will be ruined by this teen actor who only knows the basic answers to questions about the fandom. Elle wants a fan to play Carmindor–or at least someone who took the time to learn about what he’s stepping into–is that too much to ask?

As for Darien, playing Carmindor is his dream role. Like Elle, he grew up with Starfield. Only no one knows that. No one believes that this teen heart-throb with his screaming legion of fangirls has any depth. He used to love the geeky culture of Starfield, back when he wasn’t famous. Now that he’s famous, he can’t be Darien Freeman, geek who  likes Batman and Starfield. He has to be Darien Freeman, teen actor who lives for being in the spotlight, who took on this role because it would catapult him into fame. More and more, Darien feels that he is losing himself.

I was worried that Geekerella was going to be an instant-love story. With how it was described in the summary, it seemed like Elle and Darien wouldn’t meet until the convention. Thankfully it was not the case. In a world where sometimes we only interact with people through a screen, I thought that Poston’s use of a mistaken number worked really well for this novel. The reader knows the whole time of the identity of those texting, so it was nice to see how their relationship grew without having prior knowlege of who they each were or what they looked like.

While Geekerella did follow the expected points of Cinderella, they were changed to fit into Elle’s world. Instead of a pumpkin being turned into a carriage, there’s a food truck that’s painted like a pumpkin. It’s an eyesore. And loud. It made me hungry for vegan tacos. I loved it. There’s the expected mean stepmother and horrible stepsisters who share a slightly dilapidated house. But there’s no magic. The only magic that comes into this story is the magic you feel when you fall in love and when you have the hope that dreams can come true. It was modern and wholly passionate.

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[Goodbye Days] Jeff Zentner

Goodbye Days immerses us in tragedy. There’s no warning, much like how the tragedy unfolded.  Carter is at the final funeral of his three best friends after a horrific car crash claimed them all, contemplating carpet patterns in an effort to put-off the impending wave of grief. He’s numb and worried about how many people blame him, because he certainly does. When Mar’s phone was found, he was replying to Carter’s message. So yes, Carver believes that he “wrote his friends out of existence.”

In The Serpent King, Jeff Zentner introduced how tragedy can come at any moment and how coming to terms with it–if you even can–is something that you can only do yourself. Of course, the people around you suffering from the same tragedy can help you, but ultimately, we all internalize tragedy and how we deal with it differently. This is constant in Goodbye Days. It’s in the moments of forgetting right when Carver gets up, in the moments when he’s doing something mundane–just living–and it comes crashing down on him that his three friends will never be able to complete that comic they were drawing, never participate in another joke, never write another song. Grief and forgetting comes in waves, and the guilt for forgetting is crippling.

Gradually, the grief becomes manageable, but it never leaves. I felt that Zentner was able to convey that perfectly with his writing as he illustrated the different forms that grief takes after a tragedy. Like The Serpent King, it felt real. Contemporary novels tend to deal with real problems that teens go through (the ones that aren’t only about romance, at least), but sometimes there’s an element of it being contrived that keeps me from truly enjoying it. Zentner’s work is not that way. His characters would have no trouble walking off of the pages and onto the streets. They’re that realistic. They breathe. You ache and cheer with them. It’s absolutely incredible and a treat to meet his new characters.

This book is unique in the sense that it has both living and deceased characters. Through Carter’s own words and memories we’re introduced to Sauce Crew: Eli, Blake, and Mars. As he remembers them we’re shown just how amazing they were to the people around them and what their loved ones lost when they died. And that’s where the name of the novel comes in.

“Goodbye days” are a way to say goodbye to the one you’ve lost. For an entire day, you do the things that remind you of them or what they liked doing. Whenever we lose someone, we wish that we could have just one more moment with them. These goodbye days are a way to remember them as you try to let them go. Everyone holds a different part of their loved one–you may know that your friend loved dancing, but didn’t know that they were a secret enka fan. In a goodbye day, everyone comes together and shares those things so you have a complete picture of the one you lost. And then you say goodbye.

Goodbye Days is a beautiful novel that has many heart wrenching moments of the reality of death and how suddenly it can come. It’s even more tragic when people the lives of young people are cut short. It’s a novel with a message, but not one that takes over the narrative. Texting while driving is something that occurs every day, though it shouldn’t happen at all. When it’s a habit to have a phone in our hand, we don’t always think of the consequences of our actions. Carver constantly goes back to that text. Where are you guys? Text me back. It follows him throughout the novel. It’s there in therapy, where he tries to reinforce his guilt instead of forgiving himself for a mistake and it’s there in the threat of a criminal investigation. Zentner shows just how tragic the consequences can be. And there’s no taking it back.

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[Heartless] Marissa Meyer

I love the cover of my edition.

I love the cover of my edition.

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Heartless is the story of the Queen of Hearts before she was the Queen of Hearts, before she was cold and angry, before she called incessantly for the heads of those who had wronged her. Before she was the Queen of Hearts she was Catherine, a girl who daydreamed about falling in love and of starting a bakery full of the treats she had created by her own hands. Renowned for her cakes and tarts, she’s caught the eyes and the heart of the foolish King of Hearts, who is not what she envisions for a future husband at all. Unfortunately for Cath, her mother and father desire something more for her than a floured apron. As her future comes closer, Cath starts running out of options. If she wants to avoid her fate, she must try to find another path.

I was really excited to read Heartless because The Lunar Chronicles is a really good young adult series. Perhaps it’s because Heartless is a standalone, but I really didn’t find it as engaging as her series. I didn’t feel bored, exactly, but I felt a little like I was reading just to pass the time, rather than reading for pure pleasure. In fact, I ended up setting the book aside for a week because of work and didn’t feel a drive to return to it. Not in the way that The Lunar Chronicles had me going back.

This book is well-written but I’m left feeling underwhelmed at its overall content. I don’t know if I went into it expecting more than it was able to give, but I didn’t find this quite the page-turner that I expected it to be. I loved Meyer’s first series and had high hopes that I would enjoy this one just as much, but ultimately it’s only just okay.

The idea of before in Heartless was really interesting. I liked that it was an origin story of a character who is traditionally viewed as a villain. Catherine’s descent into the familiar red-faced Queen of Hearts was, for the most part, well thought out and written. But somewhere around the middle the book just dragged.

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[Wintersong] S. Jae-Jones

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Wintersong is the story of what happens when you make wishes and promises to a mysterious stranger and they come to collect. Liesl is nineteen and dreams of composing, but she’s put her desires on hold in order to help out at her family inn, train her brother for a position as a violinist, and indulge her younger sister in her vanities. Liesl has to content herself with snatched moments and hidden scraps of her compositions as she acts as the strong, older sister. But when her younger sister is stolen by the Goblin King, Liesl has to remember the songs and stories of her childhood in order to save her from a Goblin King who deals in riddles and trades. Suddenly, Liesl finds herself in a precarious position deep underground in the world of the Goblin King. It is there that she discovers more about herself than she ever allowed herself to learn. As she passes the threshold from innkeeper girl to adult composer, Liesl has to make a choice about just how much she is willing to sacrifice.

Wintersong had an extremely strong start. Jae-Jones introduced us to her world slowly using beautiful language reminiscent of music. The story promised touches of the fantastic that is often found in fairy tales. I truly enjoyed reading how Jae-Jones used words to construct a familiar yet fairy tale-esque world. The inclusion of Christina Rossetti’s poetry at the beginning of each part of the book also set the stage for what was to happen perfectly without giving too much away. Threaded throughout the story was the language of classical music. Sadly I didn’t understand this as well as I understood the poetry due to the fact that I never studied music in the way that Jae-Jones seems to have. I thought it was a really unique way of writing. It wasn’t something that I had seen before. I was glad that Jae-Jones used it to enhance her writing rather than overwhelm her story with it.

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[When the Moon Was Ours] Anna-Marie McLemore

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I love that this looks like a screen print.

When the Moon Was Ours is a beautiful book that read like a fairy tale but had a firm place in today’s world. It follows Miel and Sam, two friends who met when she fell out of the town’s decaying water tower. They have only grown closer as they grow older and navigate their lives. A boy who paints moons and a girl who has roses growing out of her wrist, the two are viewed as strange by the townspeople but are largely left alone. When the Moon Was Ours is partially a love story between friends and family, a fairy tale, and a coming of age tale.

What I particularly loved about When the Moon Was Ours was that while McLemore was very upfront about what this book was trying to do, it wasn’t forcing it down the readers’ throats. I’ve read books that go this route and it ends up giving the book a poor taste and ultimately doesn’t succeed. McLemore succeeded in my opinion. Yes, there is a character who doesn’t identify as what they were born as, but the novel was deeper than that.  It was a very caring look into who they were as people, as a whole, rather than purely focusing on one part of who they are. McLemore is teaching through sharing moments of her personal life, and I could really see that as I was reading. It was extremely intimate. The novel takes its time revealing how this has affected the characters and how they are trying to figure out who they are. It is part of the story rather than the whole of the story, which I thought was a very important and natural way of telling it.

I thought that all of the characters were very dynamic and very carefully crafted. The characters who were good had their moments of bad, and the characters opposite of them weren’t all bad. Everyone, no matter where they fell on that line, had reasons for their actions. And often the cause of their actions were because of a fear that they had: fear of discovery, fear of not being enough, fear of being ignored…that made the characters all the more real to me. I really connected with the characters, even the ones who functioned as the “villains” in this fairy tale. I may not have felt as much for them as I felt for Miel and Sam, but it was really easy to see why they acted the way they did. I had sympathy and pity for them.

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